Artworks · Beatriz González

The Date has Arrived II (Ya llegó la fecha II)

1979 · Matte, opaque paint over graphite on green wove paper

100 × 70 cm (39 3/8 × 27 9/16 in.)

Art Institute of Chicago

Victor Mora

1978 · Color linocut on cream Japanese paper

57 × 41 cm (22 1/2 × 16 3/16 in.)

Art Institute of Chicago

Mora in Milk (Mora en leche)

1978 · Color screenprint on cream wove paper

35 × 50 cm (13 13/16 × 19 11/16 in.)

Art Institute of Chicago

The Date has Arrived I (Ya llegó la fecha I)

1977 · Color screenprint on cream wove paper

55.5 × 76 cm (21 7/8 × 29 15/16 in.)

Art Institute of Chicago

Jackeline Oasis

1975 · Color screenprint on cream wove paper

54.5 × 50.5 cm (21 1/2 × 19 15/16 in.)

Art Institute of Chicago

My Fight (Mi Lucha)

1974 · Color screenprint on ivory wove paper

Sheet: 50 × 70 cm (19 11/16 × 27 9/16 in.)

Art Institute of Chicago

Against Majesty (Lesa majestad)

1974 · Color screenprint on ivory wove paper

76.5 × 56 cm (30 1/8 × 22 1/16 in.)

Art Institute of Chicago

The Backside of Royalty (Los reveses de la realeza)

1974 · Color screenprint on cream wove paper

64 × 70 cm (25 1/4 × 27 9/16 in.)

Art Institute of Chicago

On Her Britannic Majesty’s Service

1974 · Color screenprint on ivory ove paper

Sheet: 35.2 × 35 cm (13 7/8 × 13 13/16 in.)

Art Institute of Chicago

Illustrated News (La actualidad ilustrada)

1973 · Color screenprint on cream wove paper

64.2 × 69 cm (25 5/16 × 27 3/16 in.)

Art Institute of Chicago

The Other Side of Ludwig Van (La Otra Cara de Ludwig Van)

1973 · Color screenprint on ivory wove paper

Sheet: 31.8 × 47.5 cm (12 9/16 × 18 3/4 in.)

Art Institute of Chicago

Live Table Nature (Naturaleza mesa viva)

1971 · Enamel on metal sheet assembled on a metal table

75.1 × 131.2 × 111.2 cm (29 9/16 × 51 5/8 × 43 3/4 in.)

Art Institute of Chicago

Disguised as a Motorcycle Police, but Covering his Uniform with a Trench Coat, was One of the Antisocials Killed Yesterday (Disfrazado de motorista de la circulación, pero cubriendo el uniforme con una gabardine iba uno de los antisociales muertos ayer)

1970 · Photoetching in brown, with red and orange ink, on cream wove paper

33.2 × 23.5 cm (13 1/8 × 9 5/16 in.)

Art Institute of Chicago

Happy Birthday

1970 · Color screenprint on ivory wove paper

Sheet: 35 × 35 cm (13 13/16 × 13 13/16 in.)

Art Institute of Chicago

Lullaby

1970 · Enamel on metal

27 9/16 x 59 1/16 x 41 5/16" (70 x 150 x 105 cm)

Museum of Modern Art

Bochica Gym (Gimnasio Bochica)

1969 · Photoetching in brown ink on cream wove paper

25 × 14.3 cm (9 7/8 × 5 11/16 in.)

Art Institute of Chicago

The Colombian Jaguar (Second Original) El Jaguar Colombiano (Segundo Original)

1969 · Color heliograph on tan wove paper

Sheet: 23.6 × 25.7 cm (9 5/16 × 10 1/8 in.)

Art Institute of Chicago

Bacatá Gym (Gimnasio Bacatá)

1968 · Color heliograph on ivory wove paper

Sheet: 24.4 × 23.7 cm (9 5/8 × 9 3/8 in.)

Art Institute of Chicago

Heal Your Tonsils without Surgery (Cúrese las Amígdalas Sin Operación)

1968 · Color heliograph on ivory wove paper

Sheet: 25 × 21 cm (9 7/8 × 8 5/16 in.)

Art Institute of Chicago

Passion Tragedy No. 3 (Tragedia Pasional No. 3)

1967 · Color screenprint on ivory wove paper

Sheet: 65 × 119 cm (25 5/8 × 46 7/8 in.)

Art Institute of Chicago

Rionegro, Santander

1967 · Oil on canvas

36 1/4 x 42 1/8" (92 x 107 cm)

Museum of Modern Art

What Would Happen to Dutch Women for Loving Dogs so Much (Lo que le sucedería a las holandesas por querer tanto a los perros)

1966 · Etching in black on cream wove paper

24.1 × 32.5 cm (9 1/2 × 12 13/16 in.)

Art Institute of Chicago

Johnson Girl (Niña Johnson)

1966 · Etching in black on cream wove paper

32.4 × 24.7 cm (12 13/16 × 9 3/4 in.)

Art Institute of Chicago

Portrait of Rembrandt (Retrato de Rembrandt)

1966 · Etching in black on cream wove paper

32.5 × 24.5 cm (12 13/16 × 9 11/16 in.)

Art Institute of Chicago