Artworks · Auguste Rodin

Hand of Rodin with a Female Figure

1917 · plaster

overall (greatest extension): 22.9 cm (9 in.)

National Gallery of Art

Medal: Protection

1916 · silver

Overall: 9.6 x 4 x 0.9 cm (3 3/4 x 1 9/16 x 3/8 in.)

Cleveland Museum of Art

Contribution Receipt of the Special American Hospital in Paris for Wounds of the Face and Jaw

1916 · Drypoint, second state of two

sheet: 7 x 4 7/16 in. (17.8 x 11.3 cm)

The Metropolitan Museum of Art

Contribution Receipt of the Special American Hospital in Paris for Wounds of the Face and Jaw

1916 · Drypoint, first state of two

plate: 6 3/4 x 4 3/16 in. (17.2 x 10.7 cm)

The Metropolitan Museum of Art

Victoria Sackville-West, Lady Sackville

1913 · plaster

overall: 45.7 x 47.6 x 37.5 cm (18 x 18 3/4 x 14 3/4 in.)

National Gallery of Art

Nijinsky

1912 · Bronze, marble base

Overall (without base): 6 3/4 × 2 7/8 × 2 5/8 in. (17.1 × 7.3 × 6.7 cm);

The Metropolitan Museum of Art

Thomas Fortune Ryan

1909 · bronze

overall: 63 x 51.5 x 29.5 cm (24 13/16 x 20 1/4 x 11 5/8 in.)

National Gallery of Art

Gustav Mahler

1909 · bronze

overall: 34.6 x 24.5 x 24.7 cm (13 5/8 x 9 5/8 x 9 3/4 in.)

National Gallery of Art

Nude Woman Carrying Vase on Head

1909 · graphite and watercolor

overall: 50.3 x 31.2 cm (19 13/16 x 12 5/16 in.)

National Gallery of Art

Gustav Mahler

1909 · Bronze

14 × 9 × 10 in. (35.6 × 22.9 × 25.4 cm)

The Metropolitan Museum of Art

Female nude reclining

1909 · Graphite with stumping

14 3/16 in. x 9 1/4 (36.1 x 23.5 cm)

The Metropolitan Museum of Art

Head of Hanako (Ohta Hisa)

1908 · bronze

overall (without base): 15.5 x 11.3 x 9 cm (6 1/8 x 4 7/16 x 3 9/16 in.)

National Gallery of Art

Memorial Relief (Hand of a Child)

1908 · marble

overall: 40.8 × 32.7 × 14.9 cm, 60 lb. (16 1/16 × 12 7/8 × 5 7/8 in., 27.216 kg)

National Gallery of Art

Seated Female Nude Leaning to the Left

1908 · graphite on folded paper

Overall (folded sh): 31.2 x 20 cm (12 5/16 x 7 7/8 in.) overall (unfolded): 31.2 x 40 cm (12 5/16 x 15 3/4 in.)

National Gallery of Art

Seated Female Nude Looking Forward

1908 · graphite on folded paper

Overall (folded sh): 31.2 x 20 cm (12 5/16 x 7 7/8 in.) overall (unfolded): 31.2 x 40 cm (12 5/16 x 15 3/4 in.)

National Gallery of Art

Study of a Nude with Drapery

1908 · Pencil and bistre on buff wove paper, darkened, with left margin and bottom right torn

12 3/16 x 7 7/8 in. (31 x 20 cm)

The Metropolitan Museum of Art

Visitekaartje aan Philip Zilcken

1908 · pen on ink, cardboard

width: 425 cm, height: 425 cm

Rijksmuseum

Morning

1906 · marble

overall: 60.4 x 28.7 x 33.3 cm (23 3/4 x 11 5/16 x 13 1/8 in.)

National Gallery of Art

Mrs Charles Hunter

1906 · Marble

object: 876 x 565 x 457 mm, 264 kg

Tate

Pair of Standing Nude Male Figures Demonstrating the Principles of Contrapposto according to Michelangelo and Phidias

1906 · Terracotta

Height (.1, wt. confirmed): 14 1/2 in., 6.6 lb. (36.8 cm, 3 kg)

The Metropolitan Museum of Art

Two Figures

1905 · graphite with wash

overall: 32.7 x 25 cm (12 7/8 x 9 13/16 in.)

National Gallery of Art

Dancing Figure

1905 · graphite and watercolor

overall: 32.6 x 25 cm (12 13/16 x 9 13/16 in.)

National Gallery of Art

Aurora and Tithonus

1905 · plaster

overall (greatest extension): 26.6 cm (10 1/2 in.)

National Gallery of Art

Lord Howard de Walden

1905 · Bronze

object: 525 x 521 x 273 mm, 17.5 kg

Tate

Female Torso

1905 · Graphite with stumping on ivory wove paper

31.6 × 21 cm (12 1/2 × 8 5/16 in.)

Art Institute of Chicago

Sketch for Figure on Whistler Monument

1905 · Graphite, stumped, on cream paper

12 7/8 x 9 7/8 in. (32.7 x 25.1 cm)

The Metropolitan Museum of Art

Study of a nude female figure (Satyress)

1905 · Graphite and watercolor on paper

Sheet: 9 13/16 x 12 3/4 in. (25 x 32.4 cm)

The Metropolitan Museum of Art

Rear View of Female Figure in Action

1904 · watercolor over graphite on wove paper

overall (approximate): 32.7 x 25.2 cm (12 7/8 x 9 15/16 in.)

National Gallery of Art

La France

1904 · bronze

overall: 49.5 x 48.5 x 35.3 cm (19 1/2 x 19 1/8 x 13 7/8 in.)

National Gallery of Art

The Thinker (Le Penseur)

1904 · Plaster

Overall (with base): 70 1/2 × 55 3/4 in. (179.1 × 141.6 cm)

The Metropolitan Museum of Art

Mask of Katherine Seney Simpson (Mrs. John W. Simpson)

1902 · plaster

overall: 17.8 x 19.5 x 15.3 cm (7 x 7 11/16 x 6 in.)

National Gallery of Art

Katherine Seney Simpson (Mrs. John W. Simpson)

1902 · marble

overall: 55.4 x 69 x 41.5 cm (21 13/16 x 27 3/16 x 16 5/16 in.)

National Gallery of Art

Beside the Sea

1902 · Marble

Overall (wt. confirmed): 23 1/2 × 34 1/2 × 23 1/4 in., 527 lb. (59.7 × 87.6 × 59.1 cm, 239 kg)

The Metropolitan Museum of Art

A SPLENDID CREATURE THAT I LOVED THE NIGHT BEFORE (plate, facing page 8) from LE JARDIN DES SUPPLICES

1902

irreg. composition 12 3/8 x 7 5/8" (31.5 x 19.4 cm)

Museum of Modern Art

CARESS ME, MY DARLING!...FEEL HOW MY BREASTS ARE COLD AND FIRM... (plate, facing page 30) from LE JARDIN DES SUPPLICES

1902

irreg. composition 11 7/8 x 4 9/16" (30.1 x 11.6 cm)

Museum of Modern Art

THE SHADOW DESCENDS ON THE GARDEN (plate, facing page 136) from LE JARDIN DES SUPPLICES

1902

irreg. composition 9 7/16 x 12 3/16" (24 x 31 cm)

Museum of Modern Art

Frontispiece from LE JARDIN DES SUPPLICES

1902

irreg. composition 10 15/16 x 5 7/16" (27.9 x 13.8 cm)

Museum of Modern Art

BECAUSE THE DEMONS MUST LEAVE HIS BODY... (plate, preceding page 163) from LE JARDIN DES SUPPLICES

1902

irreg. composition 9 1/8 x 12 9/16" (23.2 x 32 cm)

Museum of Modern Art

THE SECOND ONE HAS ABUNDANT HAIR WHICH SHINES AND FLOWS IN LONG SILK GARLANDS (plate, facing page 46) from LE JARDIN DES SUPPLICES

1902

irreg. composition 10 7/8 x 8 11/16" (27.7 x 22 cm)

Museum of Modern Art

AND THAT IS THE ONE I LOVE (plate, preceding page 47) from LE JARDIN DES SUPPLICES

1902

irreg. composition 11 1/8 x 9 5/16" (28.2 x 23.7 cm)

Museum of Modern Art

HARDLY THAT, BY THE LIT PORTHOLES AND WINDOWS, I COULD SEE - RAPID VISIONS - OF HOWLING DEBAUCHERY (plate, preceding page 151) from LE

1902

irreg. composition 9 1/16 x 9 7/16" (23 x 24 cm)

Museum of Modern Art

TOMORROW, IF THE SPIRITS GRANT ME A WOMAN BY THIS TREE...I WILL TURN HER INTO A MAN (plate, facing page 80) from LE JARDIN DES SUPPLICES

1902

irreg. composition 11 13/16 x 8 11/16" (30 x 22 cm)

Museum of Modern Art

LITTLE, LITTLE FRIEND OF MY BOSOM AND MY SOUL... HOW BEAUTIFUL YOU ARE THUS!... (plate, facing page 154) from LE JARDIN DES SUPPLICES

1902

irreg. composition 11 1/8 x 9 1/8" (28.2 x 23.2 cm)

Museum of Modern Art

AND THE NAME CLARA, WHISPERED FROM LIPS TO LIPS, FROM BED TO BED, FROM ROOM TO ROOM, SOON OVERWHELMED THE BOAT OF FLOWERS LIKE A MARVELOUS OBSCENITY (plate, facing page 158) from LE JARDIN DES SUPPLICES

1902

irreg. composition 11 9/16 x 8 7/16" (29.4 x 21.5 cm)

Museum of Modern Art

NEVER AGAIN WILL WE KNOW THE SO BITTER TASTE OF THEIR KISSES!... (plate, facing page 2) from LE JARDIN DES SUPPLICES

1902

irreg. composition 11 7/8 x 7 5/16" (30.2 x 18.6 cm)

Museum of Modern Art

THE LEGS, TAUT AND VIBRANT LIKE THE STRINGS OF A VIOL (plate, facing page 150) from LE JARDIN DES SUPPLICES

1902

irreg. composition 11 7/16 x 8 1/16" (29 x 20.5 cm)

Museum of Modern Art

WITH SLOW AND CHARMING GESTURES, CLARA SMOOTHED HER GOLDEN RED HAIR (plate, facing page 4) from LE JARDIN DES SUPPLICES

1902

irreg. composition 11 15/16 x 7 15/16" (30.4 x 20.2 cm)

Museum of Modern Art

LE JARDIN DES SUPPLICES

1902 · 20 lithographs executed by Auguste Clot after Rodin drawings, printed in color on cream, smooth, wove Masure et Perrigot paper; and photolithographic reproductions after drawings (protective tissues, title page, and wrapper front)

irreg. page 12 13/16 x 9 13/16" (32 x 25 cm)

Museum of Modern Art