Artworks · Arman

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Untitled from Arman estampes: catalogue raisonné

1990 · Drypoint from a book with two drypoints

composition: 9 15/16 × 8 1/16" (25.3 × 20.5 cm); sheet: 12 5/8 × 9 1/4" (32 × 23.5 cm)

Museum of Modern Art

Untitled from Arman estampes: catalogue raisonné

1990 · Drypoint from a book with two drypoints

composition: 9 7/8 × 8 1/16" (25.1 × 20.5 cm); sheet: 12 5/8 × 9 1/4" (32 × 23.5 cm)

Museum of Modern Art

Arman estampes: catalogue raisonné

1990 · Book with two drypoints

composition (each approx.): 9 15/16 × 8 1/16" (25.3 × 20.5 cm); sheet (each): 12 5/8 × 9 1/4" (32 × 23.5 cm)

Museum of Modern Art

Black Values, Praying Mantis (Valeurs de noirs, Prey mantis)

1980 · One from a portfolio of two drypoints

plate: 14 1/4 × 10 1/2" (36.2 × 26.6 cm); sheet: 22 11/16 × 17 15/16" (57.6 × 45.5 cm)

Museum of Modern Art

Black Values, Praying Mantis (Valeurs de noirs, Prey mantis)

1980 · One from a portfolio of two drypoints

plate: 14 1/4 × 10 1/2" (36.2 × 26.6 cm); sheet: 22 11/16 × 17 15/16" (57.6 × 45.5 cm)

Constellation Number 18

1976 · Ball bearings embedded in plexiglass, in plexiglass frame

60 1/8" x 7' 1/8" x 1 5/8" (152.7 x 213.7 x 4.2 cm)

Museum of Modern Art

Untitled from Romantic Suite

1976 · Lithograph

composition: 24 1/2 x 38 1/8" (62.3 x 96.8 cm); sheet: 24 7/16 x 38 1/8" (62 x 96.8 cm)

Museum of Modern Art

Untitled from Romantic Suite

1976 · Lithograph

composition: 38 1/8 x 24 5/16" (96.9 x 61.7 cm); sheet: 37 13/16 x 24 5/16" (96 x 61.7 cm)

Museum of Modern Art

The Open Mouths (Les Bouches ouvertes)

1976 · Etching

plate: 11 5/8 × 12" (29.6 × 30.5 cm); sheet: 21 13/16 × 16 15/16" (55.4 × 43 cm)

Museum of Modern Art

Untitled from Homage to Picasso (Hommage à Picasso)

1974 · Lithograph from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts

composition (irreg.): 30 1/16 x 22 5/16" (76.4 x 56.7 cm); sheet: 29 15/16 x 22 5/16" (76 x 56.7 cm)

Museum of Modern Art

Accumulation

1973 · Multiple of rubber stamps and paper in wooden box with plexiglass lid

overall: 18 1/2 x 12 5/8 x 3 5/16" (47 x 32 x 8.4 cm)

Museum of Modern Art

Untitled from The New Realists (Les Nouveaux réalistes)

1973 · Screenprint on plexiglass

composition: 19 11/16 × 19 11/16" (50 × 50 cm); sheet: 19 11/16 × 19 11/16" (50 × 50 cm)

23 3/4 x 18" (60.3 x 45.7 cm)

Museum of Modern Art

Black Toothbrushes

1972 · Charcoal and spray paint on paper

23 3/4 x 18" (60.3 x 45.7 cm)

Museum of Modern Art

Unknown (Violins)

1970 · Lithograph in red, yellow, blue, and black on ivory wove paper

62 × 96 cm (24 7/16 × 37 13/16 in.)

Art Institute of Chicago

Unknown (Violins)

1970 · Lithograph in browns, purple and black on ivory wove paper

62 × 96 cm (24 7/16 × 37 13/16 in.)

Art Institute of Chicago

Unknown (Violins)

1970 · Lithograph in brown, grays and black on ivory wove paper

62 × 96 cm (24 7/16 × 37 13/16 in.)

Art Institute of Chicago

Unknown (Violins)

1970 · Lithograph in violet, green, and black on ivory wove paper

97 × 60 cm (38 1/4 × 23 5/8 in.)

Art Institute of Chicago

Unknown (Guitars)

1970 · Lithograph in green, blue, and black on ivory wove paper

97 × 62 cm (38 1/4 × 24 7/16 in.)

Art Institute of Chicago

Unknown (Guitars)

1970 · Lithograph in brown, orange and black on ivory wove paper

97 × 60 cm (38 1/4 × 23 5/8 in.)

Art Institute of Chicago

Bluebeard’s Wife

1969 · Polyester resin and shaving brushes

object: 835 x 290 x 320 mm

Tate

I Still Use Brushes

1969 · Brushes embedded in plastic, in acrylic box

80 x 80" (203.2 x 203.2 cm)

Museum of Modern Art

Boom-Boom from New York International

1966 · Screenprint with pencil additions from a portfolio of seven screenprints, two lithographs, and one offset lithograph with objects in various media

composition (irreg.): 16 5/8 x 21 5/8" (42.2 x 54.9 cm); sheet: 16 15/16 x 21 15/16" (43.1 x 55.8 cm)

Museum of Modern Art

Untitled

1965 · Multiple of cut shoes, mylar, and tape, in artist's original display box

overall: 13 x 17 13/16 x 2 3/4" (33 x 45.2 x 7 cm)

Museum of Modern Art

Untitled

1965 · Multiple of cut shoes, mylar, and tape, in artist's original display box

overall: 13 x 17 13/16 x 2 3/4" (33 x 45.2 x 7 cm)

Museum of Modern Art

Announcement for Arman, Galerie Lawrence, Paris, May 11, 1965

1965 · Resin cube with screws, nails, ball bearings, and printed text

1 3/4 x 1 9/16 x 1 3/16" (4.5 x 4 x 3 cm)

Museum of Modern Art

Garbage Can (Poubelle)

1964 · Multiple of trash and plexiglass box

overall (box): 23 5/8 x 15 3/4 x 4 7/16" (60 x 40 x 11.3 cm)

Museum of Modern Art

Dynamitage, performed during Fluxus Festival of Total Art and Comportment, Nice, July 27, 1963

1963 · Gelatin silver print

image and sheet: 3 1/2 x 4 15/16" (8.9 x 12.5 cm)

Museum of Modern Art

Dynamitage, performed during Fluxus Festival of Total Art and Comportment, Nice, July 27, 1963

1963 · Gelatin silver print

image and sheet: 4 15/16 x 7 1/16" (12.6 x 17.9 cm)

Museum of Modern Art

Condition of Woman I

1960 · Glass, wood, fabric, plastic, cork and metal

object: 1920 x 462 x 320 mm

Tate

Full Up (Le Plein)

1960 · Multiple of sardine can filled with trash and exhibition invitation

overall: 4 1/8 x 2 1/2 x 1 1/8" (10.5 x 6 x 2.9 cm)

Museum of Modern Art

Full Up (Le Plein)

1960 · Multiple of sardine can filled with trash and exhibition invitation

overall: 4 1/8 x 2 1/2 x 1 1/8" (10.5 x 6 x 2.9 cm)

Museum of Modern Art

Boom! Boom!

1960 · Plastic water pistols in plexiglass case

8 1/4 x 23 1/4 x 4 1/2" (21 x 59 x 11.2 cm)

Museum of Modern Art