Artworks · Anthony van Dyck

Virgin and Child with Saint Catherine of Alexandria

1625 · Oil on canvas

43 x 35 3/4 in. (109.2 x 90.8 cm); with added strips 44 1/8 x 37 in. (112.1 x 94 cm)

The Metropolitan Museum of Art

A Man Riding a Horse

1625 · Oil on wood

10 1/8 x 8 7/8 in. (25.7 x 22.5 cm)

The Metropolitan Museum of Art

A Man Mounting a Horse

1625 · Oil on wood

10 x 8 3/4 in. (25.4 x 22.2 cm)

The Metropolitan Museum of Art

Virgin and Child with Saint Catherine of Alexandria

1625 · Oil on canvas

43 x 35 3/4 in. (109.2 x 90.8 cm); with added strips 44 1/8 x 37 in. (112.1 x 94 cm)

The Metropolitan Museum of Art

Saint Rosalie Interceding for the Plague-stricken of Palermo

1624 · Oil on canvas

39 1/4 x 29 in. (99.7 x 73.7 cm)

The Metropolitan Museum of Art

Saint Rosalie Interceding for the Plague-stricken of Palermo

1624 · Oil on canvas

39 1/4 x 29 in. (99.7 x 73.7 cm)

The Metropolitan Museum of Art

Study for an Equestrian Portrait, Possibly that of Albert de Ligne, Count of Arenberg; verso: Various Studies of Statues and Figures, Including the Venus Pudica and Scipio and his Lictor

1623 · Pen and brown ink; verso: pen and brown ink, black chalk

9 1/16 x 9 5/8 in. (23 x 24.5 cm)

The Metropolitan Museum of Art

Portrait of a Woman, Called the Marchesa Durazzo

1622 · Oil on canvas

44 5/8 x 37 3/4 in. (113.3 x 95.9 cm)

The Metropolitan Museum of Art

Lucas van Uffel (died 1637)

1621 · Oil on canvas

49 x 39 5/8 in. (124.5 x 100.6 cm)

The Metropolitan Museum of Art

Sheet of Studies

1621 · Pen and brown ink, brush and brown wash

sheet: 7 5/8 x 5 1/2 in. (19.3 x 14 cm)

The Metropolitan Museum of Art

Lucas van Uffel (died 1637)

1621 · Oil on canvas

49 x 39 5/8 in. (124.5 x 100.6 cm)

The Metropolitan Museum of Art

Self-Portrait

1620 · Oil on canvas

47 1/8 x 34 5/8 in. (119.7 x 87.9 cm)

The Metropolitan Museum of Art

Self-Portrait

1620 · Oil on canvas

47 1/8 x 34 5/8 in. (119.7 x 87.9 cm)

The Metropolitan Museum of Art

Cornelis Schut

1619 · Pen and brown ink, with brush and brown and gray wash, on ivory laid paper

21.7 × 16.1 cm (8 9/16 × 6 3/8 in.)

Art Institute of Chicago

Philippe Le Roy

1619 · Etching and engraving in black on ivory laid paper

Image/plate: 24.2 × 15.5 cm (9 9/16 × 6 1/8 in.); Sheet: 25.4 × 16.4 cm (10 × 6 1/2 in.)

Art Institute of Chicago

Justus Suttermans

1619 · Etching and engraving in black on ivory laid paper

Image/plate: 25.1 × 16.6 cm (9 15/16 × 6 9/16 in.); Sheet: 35.5 × 24.6 cm (14 × 9 11/16 in.)

Art Institute of Chicago

Study Head of a Young Woman

1618 · Oil on paper, laid down on wood

22 1/4 x 16 3/8 in. (56.5 x 41.6 cm)

The Metropolitan Museum of Art

Study Head of a Young Woman

1618 · Oil on paper, laid down on wood

22 1/4 x 16 3/8 in. (56.5 x 41.6 cm)

The Metropolitan Museum of Art

Study Head of an Old Man with a White Beard

1617 · Oil on wood

26 x 20 1/4 in. (66 x 51.4 cm)

The Metropolitan Museum of Art

Virgin and Child

1615 · Oil on wood

25 1/4 x 19 1/2 in. (64.1 x 49.5 cm)

The Metropolitan Museum of Art

Study of the Christ Child and the Hand of the Madonna. Verso; Profile of a Man

1615 · Pen and brown ink

7 3/8 x 5 1/2 in. (18.7 x 13.9 cm)

The Metropolitan Museum of Art

Sheet of Studies of Heads

1615 · Pen and brown ink

5 1/16 x 7 1/16 in. (12.8 x 18 cm)

The Metropolitan Museum of Art

Titian and His Mistress

1615 · Etching and engraving in black on ivory laid paper

Image/plate: 30.4 × 30.3 cm (12 × 11 15/16 in.); Sheet: 34.5 × 27.5 cm (13 5/8 × 10 7/8 in.)

Art Institute of Chicago

Head of a Girl

1613 · Oil on panel

32.4 × 25.1 cm (12 3/4 × 9 7/8 in.)

Art Institute of Chicago

Portrait of a Man

1613 · Oil on wood

41 3/4 x 28 5/8 in. (106 x 72.7 cm)

The Metropolitan Museum of Art

A Group a Trees

1610 · Pen and brown ink, brush and brown wash

6 7/8 x 7 1/2 in. (17.5 x 19.1 cm)

The Metropolitan Museum of Art

Christ and the Pharisees; verso; Christ and a Pharisee

1610 · Pen and brown ink, brush and brown wash

6 x 8 7/16 in. (15.2 x 21.5 cm)

The Metropolitan Museum of Art

Albert de Ligne, Count of Arenberg, Prince of Brabançon (1600–1674)

1610 · Watercolor and oil on paper

15 13/16 x 12 1/8 in. (40.1 x 30.8 cm)

The Metropolitan Museum of Art

Landscape with a Gnarled Tree and a Farm

1610 · Pen and brown ink

8 1/2 x 12 5/8 in. (21.6 x 32.1 cm)

The Metropolitan Museum of Art

Study for a Portrait of a Lady

1610 · Black chalk heightened with white chalk on brown paper

19 7/8 × 11 13/16 in. (50.5 × 30 cm)

The Metropolitan Museum of Art

Head of an Apostle

1610 · Black and white chalk on blue paper

10 1/2 x 8 1/16 in. (26.7 x 20.4 cm)

The Metropolitan Museum of Art

Vision of Philip Neri

1600 · Pen and brown ink with brush and gray wash, over black chalk, on cream laid paper, laid down on card

38.2 × 22.1 cm (15 1/16 × 8 3/4 in.)

Art Institute of Chicago

Adam de Coster

1600 · Brush and black and gray wash, on ivory laid paper

22.8 × 18.9 cm (9 × 7 1/2 in.)

Art Institute of Chicago

Theodoor van Loon

1600 · Pen and brown ink, with brush and gray wash, over graphite, on ivory laid paper

25.2 × 17.6 cm (9 15/16 × 6 15/16 in.)

Art Institute of Chicago

Young Bacchus and Companions

1600 · Red chalk on ivory laid paper, laid down on board

31.5 × 22.6 cm (12 7/16 × 8 15/16 in.)

Art Institute of Chicago

Sir Peter Paul Rubens (1577–1640)

1600 · Oil on wood

10 x 7 5/8 in. (25.4 x 19.4 cm)

The Metropolitan Museum of Art

Draped with Hooded Figure (recto); Two Sketches of Swans in Water (verso)

1590 · Black chalk (recto and verso) on ivory laid paper

19.6 × 13.2 cm (7 3/4 × 5 1/4 in.)

Art Institute of Chicago