Artworks · Anselm Kiefer

Morgenthau Plan

2012 · Acrylic, emulsion, oil, and shellac on inkjet prints mounted on canvas

Overall: 129 15/16 × 224 7/16 × 3 1/8 in. (330 × 570.1 × 7.9 cm) 3 panels, each: 129 15/16 × 74 13/16 × 3 1/8 in. (330 × 190 × 8 cm)

The Metropolitan Museum of Art

Hortus philosophorum

2010 · Photograph, black and white, on paper with paint and chalk

support: 1852 x 2460 mm

Tate

St John’s Lodge

2007 · Photograph, black and white, on paper with paint

support: 1230 x 1300 mm

Tate

Untitled

2007 · Photograph, black and white, on papers with paint

support: 1400 x 635 mm

Tate

Johannisnacht gefallene Bilder. The secret life of plants

2006 · Photograph, black and white, on papers with paint

support: 1760 x 1390 mm

Tate

Untitled

2006 · Photograph, black and white, on paper with paint

support: 635 x 1260 mm

Tate

Falling Stars

2006 · Photograph, black and white, on papers

support: 1155 x 1250 mm

Tate

Palm Sunday

2006 · Palm tree and 40 works on fibreboard with clay, paint, shellac, adhesive, metal, palm fronds, fabric and paper

Overall display dimensions variable

Tate

Steigend, Sinke Nieder

2003 · Synthetic polymer paint, charcoal, and synthetic hair on cut-and-pasted gelatin silver prints

48 x 39" (121.9 x 99.1 cm)

Museum of Modern Art

A.E.I.O.U. from the Museum in Progress project TransAct 2 - Linguistic Fields

2002 · Lithograph, offset printed

sheet: 18 1/2 x 12 3/8" (47 x 31.5 cm)

Museum of Modern Art

Die Ungeborenen

2002 · Illustrated book with eighteen digital prints with ash and lead collage

Page: 11 15/16 x 9 1/8" (30.4 x 23.2 cm)

Museum of Modern Art

Let a Thousand Flowers Bloom

2000 · Oil paint, shellac resin, wood, metal string and screws on canvas

support: 3803 x 2805 x 54 mm

Tate

Cette obscure clarté qui tombe des étoiles

1999 · Acrylic paint, oil paint, shellac, earth, sand, wood, paper and glass on 2 canvases, lead, iron, books and other materia

support: 4700 x 4000 mm object: 3400 x 1650 x 1100 mm

Tate

Man under a Pyramid

1996 · Emulsion, acrylic paint, shellac and ash on 2 canvases

support: 2815 x 5030 x 65 mm support: 730 x 5035 x 95 mm

Tate

Böhmen liegt am Meer (Bohemia Lies by the Sea)

1996 · Oil, emulsion, shellac, charcoal, and powdered paint on burlap

75 1/4 in. × 18 ft. 5 in. (191.1 × 561.3 cm) Other (left panel component a): 75 1/4 in. × 9 ft. 2 1/2 in. (226.1 × 280.7 cm) Other (right panel component b): 75 1/4 in. × 9 ft. 2 1/2 in. (226.1 × 280.7 cm)

The Metropolitan Museum of Art

20 Years of Solitude

1993 · White gouache on gelatin silver prints, cut torn and tipped together

Sight: 82 × 57.7 cm (32 5/16 × 22 3/4 in.)

Art Institute of Chicago

Heavy Water

1991 · 9-page book of silver leaf and paint on gelatin silver prints, bound with lead covers

Max: 70.1 × 50 cm (27 5/8 × 19 11/16 in.)

Art Institute of Chicago

A.D.

1989 · Chalk and entrails on treated lead

7' 11 1/8" x 51 7/8" x 1 5/8" (243.1 x 131.8 x 4.2 cm) including steel frame

Museum of Modern Art

Lilith

1987 · Oil paint, ash and copper wire on canvas

support: 3815 x 5612 x 500 mm support, each: 3815 x 2806 x 50 mm

Tate

Splitting I and II

1986 · Two-volume book of clay, photographs, synthetic polymer paint, glass, porcelain, and copper wire on board, bound with canvas, each on a steel lectern designed by the artist

Volume I 27 3/4 x 19 3/4 x 4 3/4" (70.4 x 50.2 x 12.2 cm), volume II 28 x 20 x 3 1/2" (71 x 50.8 x 8.9 cm), lecterns, each 41 x 43 5/8 x 26 1/2" (104 x 110.1 x 67.2 cm)

Museum of Modern Art

Emanation

1985 · Shellac and crayon on cut, torn, and pasted gelatin silver prints

30 × 26 in. (76.2 × 66 cm)

The Metropolitan Museum of Art

Yggdrasil

1985 · Gouache and shellac on torn and pasted gelatin silver prints

25 × 23 3/4 in. (63.5 × 60.3 cm)

The Metropolitan Museum of Art

The Red Sea

1984 · Oil, lead, woodcut, photograph, and shellac on canvas

9' 1 3/4" x 13' 11 3/8" (278.8 x 425.2 cm)

Museum of Modern Art

Auszug aus Aegypten (Departure from Egypt)

1984 · Synthetic polymer paint, charcoal, and string on cut-and-pasted gelatin silver on board

43 1/8 x 33 1/2" (109.5 x 85 cm) (irreg)

Museum of Modern Art

Urd Werdande Skuld (The Norns)

1983 · Oil paint, shellac, emulsion and fibre on canvas

support: 4205 x 2805 x 60 mm

Tate

The Order of the Angels (Die Ordnung der Engel)

1983 · Oil, emulsion, shellac, straw, and lead on canvas

330 × 555 cm (130 × 218 1/2 in.)

Art Institute of Chicago

Double page plate (folios 7 verso and 8) from DER RHEIN

1983

irreg. composition 22 13/16 x 33 1/8" (57.9 x 84.1 cm)

Museum of Modern Art

Double page plate (folios 8 verso and 9) from DER RHEIN

1983

irreg. composition 22 15/16 x 33 3/16" (58.3 x 84.3 cm)

Museum of Modern Art

Back cover from DER RHEIN

1983

irreg. composition 23 1/4 x 16 1/2" (59 x 42 cm)

Museum of Modern Art

Der Rhein

1983

irreg. composition 22 3/4 x 32 15/16" (57.8 x 83.7 cm)

Museum of Modern Art

Front cover from DER RHEIN

1983

irreg. composition 22 11/16 x 16 1/2" (57.6 x 41.9 cm)

Museum of Modern Art

Double page plate (folios 5 verso and 6) from DER RHEIN

1983

irreg. composition 23 1/4 x 33 1/8" (59 x 84.1 cm)

Museum of Modern Art

Double page plate (folios 9 verso and 10) from DER RHEIN

1983

irreg. composition 22 7/8 x 33 1/8" (58.1 x 84.2 cm)

Museum of Modern Art

Double page plate (folios 17 verso and 18) from DER RHEIN

1983

irreg. composition 23 1/8 x 33 1/4" (58.8 x 84.4 cm)

Museum of Modern Art

Double page plate (folios 18 verso and 19) from DER RHEIN

1983

irreg. composition 22 15/16 x 33 1/8" (58.2 x 84.1 cm)

Museum of Modern Art

Double page plate (folios 19 verso and 20) from DER RHEIN

1983

irreg. composition 23 1/4 x 33 3/16" (59 x 84.3 cm)

Museum of Modern Art

Double page plate (folios 2 verso and 3) from DER RHEIN

1983

irreg. composition 23 1/4 x 33" (59 x 83.9 cm)

Museum of Modern Art

Double page plate (folios 3 verso and 4) from DER RHEIN

1983

irreg. composition 23 1/4 x 32 11/16" (59 x 83.1 cm)

Museum of Modern Art

Double page plate (folios 4 verso and 5) from DER RHEIN

1983 · Double page plate from an illustrated book with twenty-one woodcuts

irreg. composition 23 1/4 x 32 7/8" (59 x 83.5 cm)

Museum of Modern Art

Double page plate (folios 10 verso and 11) from Der Rhein

1983 · Woodcut

irreg. composition: 23 3/16 x 33 1/4" (58.9 x 84.4 cm)

Museum of Modern Art

Double page plate (folios 1 verso and 2) from DER RHEIN

1983

irreg. composition 23 3/16 x 33 3/16" (58.9 x 84.3 cm)

Museum of Modern Art

Double page plate (folios 6 verso and 7) from DER RHEIN

1983

irreg. composition 23 3/16 x 33 3/16" (58.9 x 84.3 cm)

Museum of Modern Art

Double page plate (folios 11 verso and 12) from DER RHEIN

1983

irreg. composition 22 5/8 x 32 15/16" (57.5 x 83.7 cm)

Museum of Modern Art

Double page plate (folios 13 verso and 14) from DER RHEIN

1983

irreg. composition 23 1/4 x 33 3/16" (59 x 84.3 cm)

Museum of Modern Art

Double page plate (folios 14 verso and 15) from DER RHEIN

1983

irreg. composition 23 1/4 x 33 3/16" (59 x 84.3 cm)

Museum of Modern Art

Double page plate (folios 15 verso and 16) from DER RHEIN

1983

irreg. composition 23 1/4 x 33 3/16" (59 x 84.3 cm)

Museum of Modern Art

Der Rhein

1983 · Illustrated book with twenty-one woodcuts

page: 23 1/4 x 16 1/2" (59 x 42 cm)

Museum of Modern Art

Double page plate (folios 16 verso and 17) from DER RHEIN

1983

irreg. composition 23 1/4 x 33 1/8" (59 x 84.1 cm)

Museum of Modern Art