Artworks · Anne-Louis Girodet de Roussy-Trioson

The Archery Match, from the Aeneid, Book V

1818 · Black crayon on blue-gray laid paper

19.7 × 31.6 cm (7 13/16 × 12 1/2 in.)

Art Institute of Chicago

Coupin de La Couperie

1816 · lithograph

National Gallery of Art

Portrait of Coupin de la Couperie

1816 · Lithograph in black on cream wove paper

Image: 22 × 18 cm (8 11/16 × 7 1/8 in.); Sheet: 30.5 × 23.2 cm (12 1/16 × 9 3/16 in.)

Art Institute of Chicago

Portrait of Coupin de la Couperie

1816 · Lithograph in black on ivory wove paper

Image: 25 × 18.8 cm (9 7/8 × 7 7/16 in.); Sheet: 30.6 × 23 cm (12 1/16 × 9 1/16 in.)

Art Institute of Chicago

Fingal Mourning Over the Body of Malvina, from Ossian's Berrathon

1810 · Black chalk with brush and black ink and brown wash, heightened with white gouache, on ivory laid paper prepared with a gray wash

18.4 × 25.7 cm (7 1/4 × 10 1/8 in.)

Art Institute of Chicago

Sketch for The Revolt of Cairo

1805 · Oil and ink on paper, laid down on canvas

30.8 × 45.1 cm (12 1/8 × 17 3/4 in.); Framed: 43.2 × 58.5 × 6.4 cm (17 × 23 × 2 1/2 in.)

Art Institute of Chicago

Portrait of the Katchef Dahouth, Christian Mameluke

1804 · Oil on canvas

144.7 × 113 cm (57 × 44 1/2 in.); Framed: 182.9 × 151.2 × 15.3 cm (72 × 59 1/2 × 6 in.)

Art Institute of Chicago

Phaedre, Having Declared Her Passion, Attempts to Kill Herself with the Sword of Hippolytus

1796 · Pen and brush and black and brown wash and graphite, heightened with white gouache on cream laid paper

34.5 × 24.2 cm (13 5/8 × 9 9/16 in.)

Art Institute of Chicago

Bust of Male Nude (recto); Portrait Sketch of Man with Sketches of Women (verso)

1787 · Brush and brown wash, over traces of graphite and black chalk (recto) and black chalk (verso) on ivory wove paper

20.2 × 17.5 cm (8 × 6 15/16 in.)

Art Institute of Chicago

Jean-Baptiste Belley

1787 · Black chalk, with stumping, and traces of pen and black ink, heightened with touches of opaque white, on ivory wove paper

36.9 × 30.3 cm (14 9/16 × 11 15/16 in.)

Art Institute of Chicago

Hermione Rejecting Orestes

1787 · Pen and black ink and black chalk, with stumping, and brush and brown and gray wash, heightened with white gouache, on ivory laid paper

26.3 × 32.3 cm (10 3/8 × 12 3/4 in.)

Art Institute of Chicago

Coriolanus Taking Leave of his Family

1786 · oil on canvas

overall: 44 7/8 × 57 1/2 in. (44 7/8 × 57 1/2 in.) framed: 144.78 × 176.53 × 10.8 cm (57 × 69 1/2 × 4 1/4 in.)

National Gallery of Art

Agnès Entering a Grotto

1785 · black chalk with touches of white chalk and charcoal(?) on laid paper, laid down on a decorative mount

sheet: 13 × 90 cm (5 1/8 × 35 7/16 in.) mount: 17.7 × 14 cm (6 15/16 × 5 1/2 in.)

National Gallery of Art

Bayard Refusing the Presents of His Hostess, in Brescia

1779 · Black and brown chalk, with stumping, and pen and brown ink, heightened with white goauche, on off-white laid paper

36.4 × 51.3 cm (14 3/8 × 20 1/4 in.)

Art Institute of Chicago