Artworks · Andrea Mantegna

Triumphs of Julius Caesar: Canvas No. VI

1700 · Pen and brown ink, with brush and gray wash, heightened with lead white (oxidized), on cream laid paper prepared with yellow wash

37 × 37 cm (14 5/8 × 14 5/8 in.)

Art Institute of Chicago

Triumphs of Julius Caesar: Canvas No. II

1700 · Pen and brown ink, with brush and gray wash, heightened with lead white (oxidized), on cream laid paper prepared with yellow wash

37.2 × 38 cm (14 11/16 × 15 in.)

Art Institute of Chicago

Triumphs of Julius Caesar: Canvas No. VII

1700 · Pen and brown ink, with brush and gray wash, heightened with lead white (oxidized), on cream laid paper prepared with yellow wash

37 × 37.3 cm (14 5/8 × 14 11/16 in.)

Art Institute of Chicago

Triumphs of Julius Caesar: Canvas No. V

1700 · Pen and brown ink, with brush and gray wash, heightened with lead white (oxidized), on cream laid paper prepared with yellow wash

37.1 × 37.7 cm (14 5/8 × 14 7/8 in.)

Art Institute of Chicago

Triumphs of Julius Caesar: Canvas No. IV

1700 · Pen and brown ink, with brush and gray wash, heightened with lead white (oxidized), on cream laid paper, pieced and prepared with yellow wash

37.3 × 36.7 cm (14 11/16 × 14 1/2 in.)

Art Institute of Chicago

Triumphs of Julius Caesar: Canvas No. VII

1700 · Pen and brown ink, with brush and gray wash, heightened with lead white (oxidized), on cream laid paper prepared with yellow wash

37 × 37.2 cm (14 5/8 × 14 11/16 in.)

Art Institute of Chicago

Triumphs of Julius Caesar: Canvas No. IX

1700 · Pen and brown ink, with brush and gray wash, heightened with lead white (oxidized), on cream laid paper prepared with yellow wash

37.2 × 37.7 cm (14 11/16 × 14 7/8 in.)

Art Institute of Chicago

Triumphs of Julius Caesar: Canvas No. I

1700 · Pen and brown ink, with brush and gray wash, heightened with lead white (oxidized), on cream laid paper, pieced and prepared with yellow wash

37.1 × 37.3 cm (14 5/8 × 14 11/16 in.)

Art Institute of Chicago

The Holy Family with Saint Elizabeth and the Infant John the Baptist

1500 · Pen and brown ink, brush and greenish gray and brown wash, gray wash applied to the background, probably by a later hand.

10 5/8 x 10 1/4 in. (27 x 26 cm)

The Metropolitan Museum of Art

The Adoration of the Magi (Virgin of the Grotto)

1495 · Engraving on paper

37.8 × 28 cm (14 15/16 × 11 1/16 in.)

Art Institute of Chicago

The Holy Family with Saint Mary Magdalen

1495 · Distemper on canvas

22 1/2 x 18 in. (57.2 x 45.7 cm)

The Metropolitan Museum of Art

The Holy Family with Saint Mary Magdalen

1495 · Distemper on canvas

22 1/2 x 18 in. (57.2 x 45.7 cm)

The Metropolitan Museum of Art

The Elephants, from The Triumph of Julius Caesar

1493 · Engraving on paper

27.7 × 26.1 cm (10 15/16 × 10 5/16 in.)

Art Institute of Chicago

Four Women Dancing

1492 · Engraving on paper

23.8 × 33.6 cm (9 3/8 × 13 1/4 in.)

Art Institute of Chicago

The Senators, from Triumph of Caesar

1490 · Engraving in black on cream laid paper

Plate/sheet: 28.5 × 26.8 cm (11 1/4 × 10 9/16 in.)

Art Institute of Chicago

Study for the Triumphs of Julius Caesar: Canvas No. I

1490 · Pen and brown ink, with red pencil, on tan laid paper, laid down on ivory wove paper

27.6 × 28.1 cm (10 7/8 × 11 1/8 in.)

Art Institute of Chicago

Triumph of Caesar: Soldiers Carrying Trophies

1490 · Engraving on paper

28.4 × 25.5 cm (11 3/16 × 10 1/16 in.)

Art Institute of Chicago

Rodolfo Gonzaga (1451–1495)

1490 · Tempera on wood

4 1/4 x 3 1/4 in. (10.8 x 8.3 cm)

The Metropolitan Museum of Art

The Virgin and Child

1485 · engraving on laid paper

sheet (trimmed within plate mark): 27.7 x 23.1 cm (10 7/8 x 9 1/8 in.)

National Gallery of Art

The Virgin and Child

1485 · engraving on laid paper

sheet (trimmed within plate mark): 24.1 x 20.5 cm (9 1/2 x 8 1/16 in.)

National Gallery of Art

Triumph of Caesar: Soldiers carrying Trophies

1485 · Engraving

Height: 11 7/16 in. (29 cm)

The Metropolitan Museum of Art

Virgin and Child

1485 · Engraving in black on buff laid paper

Image before remargining: 22.8 × 23.5 cm (9 × 9 5/16 in.); Sheet: 26.5 × 25 cm (10 7/16 × 9 7/8 in.)

Art Institute of Chicago

The Entombment

1485 · Engraving on paper

49.5 × 37.1 cm (19 1/2 × 14 5/8 in.)

Art Institute of Chicago

Seated Man Holding a Club or Other Implement (recto); Two Heads of Grotesque Men in Profile (verso)

1484 · Pen and brown ink, brush and brown wash (recto); pen and brown ink (verso)

8 1/4 x 5 9/16in. (21 x 14.2cm)

The Metropolitan Museum of Art

Battle of the Sea Gods [left half]

1481 · engraving on laid paper

sheet (trimmed within plate mark): 28.6 x 42.6 cm (11 1/4 x 16 3/4 in.)

National Gallery of Art

Bacchanal with a Wine Vat

1481 · engraving on laid paper

sheet: 33.2 x 45 cm (13 1/16 x 17 11/16 in.)

National Gallery of Art

Battle of the Sea Gods [left half]

1481 · engraving on laid paper

sheet: 30.4 × 43.1 cm (11 15/16 × 16 15/16 in.)

National Gallery of Art

Bacchanal with Silenus

1481 · engraving on laid paper

sheet: 31.1 x 46 cm (12 1/4 x 18 1/8 in.)

National Gallery of Art

Battle of the Sea Gods [right half]

1481 · engraving on laid paper

sheet: 28.8 x 38.1 cm (11 5/16 x 15 in.)

National Gallery of Art

Battle of the Sea Gods [left half]

1481 · engraving on laid paper

sheet: 27 x 40.4 cm (10 5/8 x 15 7/8 in.)

National Gallery of Art

Bacchanal with a Wine Vat

1481 · engraving on laid paper

sheet: 27.8 x 42.2 cm (10 15/16 x 16 5/8 in.)

National Gallery of Art

The Battle of the Sea Gods (left portion of frieze)

1481 · Engraving

Sheet: 11 1/4 × 16 15/16 in. (28.5 × 43 cm)

The Metropolitan Museum of Art

Battle of the Sea Gods (right portion of frieze)

1481 · Engraving

sheet: 11 1/4 x 14 3/4 in. (28.6 x 37.5 cm)

The Metropolitan Museum of Art

The Battle of the Sea Gods (left portion of frieze)

1481 · Engraving

Sheet: 11 1/4 × 16 15/16 in. (28.5 × 43 cm)

The Metropolitan Museum of Art

Battle of the Sea-Gods (right portion of frieze)

1480 · Engraving

Sheet (Trimmed): 11 5/8 × 15 1/2 in. (29.5 × 39.4 cm)

The Metropolitan Museum of Art

The Flagellation of Christ, with the Landscape Background

1475 · Engraving, on paper

39.1 × 28.2 cm (15 7/16 × 11 1/8 in.)

Art Institute of Chicago

Bacchanal with Wine Vat

1475 · Engraving

Sheet: 11 13/16 × 16 3/4 in. (30 × 42.5 cm)

The Metropolitan Museum of Art

The Virgin and Child

1475 · Engraving

image: 8 1/8 x 8 3/16 in. (20.6 x 20.8 cm)

The Metropolitan Museum of Art

The Entombment of Christ

1475 · Engraving and drypoint; second state of two

Plate: 11 7/16 × 16 3/8 in. (29 × 41.6 cm)

The Metropolitan Museum of Art

Bacchanal with Silenus

1475 · Engraving with drypoint

Sheet: 12 in. × 17 1/4 in. (30.5 × 43.8 cm)

The Metropolitan Museum of Art

Bacchanal with a Wine Vat

1475 · Engraving and drypoint

Sheet: 11 3/4 x 17 3/16in. (29.9 x 43.7cm)

The Metropolitan Museum of Art

Standing boy

1475 · Bronze, silver inlay (eyes), on a later porphyry and ormolu base

Overall without base (confirmed): 8 1/8 × 3 7/8 × 2 in. (20.6 × 9.8 × 5.1 cm) Overall with base (confirmed): 11 1/2 × 4 1/8 × 3 1/4 in. (29.2 × 10.5 × 8.3 cm)

The Metropolitan Museum of Art

Bacchanal with Silenus

1475 · Engraving on laid paper

Sheet: 31.2 × 44.3 cm (12 5/16 × 17 1/2 in.)

Art Institute of Chicago

Descent into Limbo

1475 · Engraving in black ink on cream laid paper

42.2 × 33.4 cm (16 5/8 × 13 3/16 in.)

Art Institute of Chicago

Bacchanal with a Wine Vat

1475 · Engraving and drypoint

Sheet: 11 3/4 x 17 3/16in. (29.9 x 43.7cm)

The Metropolitan Museum of Art

Bacchanal with Wine Vat

1475 · Engraving

Sheet: 11 13/16 × 16 3/4 in. (30 × 42.5 cm)

The Metropolitan Museum of Art

Bacchanaal met Silenus

1473 · engraving on paper

width: 426 cm, height: 320 cm

Rijksmuseum

The Entombment

1470 · engraving in brown ink on laid paper; laid down

sheet (trimmed to and within plate mark): 29.9 x 44.2 cm (11 3/4 x 17 3/8 in.)

National Gallery of Art