Artworks · André Masson

Je Reve

1975 · Color lithograph on ivory wove paper

66.5 × 50.4 cm (26 3/16 × 19 7/8 in.)

Art Institute of Chicago

Je Reve

1975 · Color lithograph on ivory wove paper

66.5 × 50.4 cm (26 3/16 × 19 7/8 in.)

Art Institute of Chicago

Je Reve

1975 · Color lithograph on ivory wove paper

66.5 × 50.4 cm (26 3/16 × 19 7/8 in.)

Art Institute of Chicago

Je Reve

1975 · Color lithograph on ivory wove paper

66.5 × 50.4 cm (26 3/16 × 19 7/8 in.)

Art Institute of Chicago

Je Reve

1975 · Color lithograph on ivory wove paper

66.5 × 50.4 cm (26 3/16 × 19 7/8 in.)

Art Institute of Chicago

Je Reve

1975 · Color lithograph on ivory wove paper

66.5 × 50.4 cm (26 3/16 × 19 7/8 in.)

Art Institute of Chicago

Je Reve

1975 · Color lithograph on ivory wove paper

66.5 × 50.4 cm (26 3/16 × 19 7/8 in.)

Art Institute of Chicago

Je Reve

1975 · Color lithograph on ivory wove paper

66.5 × 50.4 cm (26 3/16 × 19 7/8 in.)

Art Institute of Chicago

Je Reve

1975 · Color lithograph on ivory wove paper

66.5 × 50.4 cm (26 3/16 × 19 7/8 in.)

Art Institute of Chicago

Je Reve

1975 · Color lithograph on ivory wove paper

66.5 × 50.4 cm (26 3/16 × 19 7/8 in.)

Art Institute of Chicago

Ariadne's Clew (Le Fil d'Ariane) from For Meyer Schapiro

1973 · Etching and aquatint from a portfolio of four lithographs (one with embossing), three screenprints (one with stamp additions), two lithograph and screenprints (one with embossing), two etching and aquatints, and one duplicated drawing

plate: 11 5/8 x 8 3/8" (29.5 x 21.3 cm); sheet: 18 x 13 3/16" (45.7 x 33.5 cm)

Museum of Modern Art

Untitled from Homage to Picasso (Hommage à Picasso)

1973 · Aquatint from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts

plate: 23 7/16 x 17 7/8" (59.6 x 45.4cm); sheet: 29 1/2 x 22 1/2" (75 x 57.2cm)

Museum of Modern Art

Bacchanale

1968 · Pen and black ink on cream wove paper

49.7 × 38.3 cm (19 5/8 × 15 1/8 in.)

Art Institute of Chicago

Untitled, from Body and Heart

1968 · Etching in black on white wove paper

Plate: 29.5 × 24 cm (11 5/8 × 9 1/2 in.); Sheet: 38 × 28.5 cm (15 × 11 1/4 in.)

Art Institute of Chicago

Untitled, from Body and Heart

1968 · Etching in black on white wove paper

Plate: 29.7 × 24 cm (11 3/4 × 9 1/2 in.); Sheet: 38 × 28.4 cm (15 × 11 3/16 in.)

Art Institute of Chicago

Untitled, from Body and Heart

1968 · Etching in black on white wove paper

Plate: 29.9 × 23.8 cm (11 13/16 × 9 3/8 in.); Sheet: 38 × 28.4 cm (15 × 11 3/16 in.)

Art Institute of Chicago

Untitled, from Body and Heart

1968 · Etching in black on white wove paper

Plate: 29.5 × 24 cm (11 5/8 × 9 1/2 in.); Sheet: 38 × 28.5 cm (15 × 11 1/4 in.)

Art Institute of Chicago

Plate (folio 32) from Hommage à Roger Lacourière

1968 · Drypoint from an illustrated book with twelve etchings (two with aquatint, two with drypoint, one with aquatint and drypoint) and one drypoint

plate: 6 5/8 × 9" (16.9 × 22.8 cm); page: 9 1/4 × 11 7/16" (23.5 × 29 cm)

Museum of Modern Art

Aeneas and His Children (Anéas et ses enfants) from Flight

1966 · Lithograph from a portfolio of eleven lithographs and one screenprint

composition (irreg.): 20 11/16 × 18 11/16" (52.6 × 47.5 cm); sheet: 25 9/16 × 19 13/16" (64.9 × 50.4 cm)

Museum of Modern Art

Plate (page 79) from Feuilles éparses

1965 · Etching from an illustrated book with nine etchings (two with aquatint, one with aquatint and drypoint), two engravings, one aquatint, one drypoint, and one woodcut

plate: 8 3/16 × 6 7/8" (20.8 × 17.5 cm); page: 9 7/16 × 7 7/8" (24 × 20 cm)

Museum of Modern Art

Metamorphosis

1963 · Lithograph

composition (irreg.): 14 5/8 x 14 1/16" (37.2 x 35.7 cm); sheet: 24 13/16 x 18 3/4" (63.1 x 47.6 cm)

Museum of Modern Art

Kitchen-maids

1962 · Oil paint on canvas

support: 502 x 610 mm

Tate

Limbes

1962 · Color aquatint on ivory wove paper

Image/plate: 37.1 × 54.3 cm (14 5/8 × 21 7/16 in.); Sheet: 56.2 × 75.6 cm (22 3/16 × 29 13/16 in.)

Art Institute of Chicago

Metamorphoses (Métamorphoses)

1961 · Drypoint and aquatint

Museum of Modern Art

The Tree (L'Arbre)

1959 · Lithograph

composition (irreg.): 23 15/16 x 16 1/4" (60.8 x 41.2cm); sheet: 25 3/16 x 19 9/16" (64 x 49.7cm)

Museum of Modern Art

The Sun in the Forest

1959 · Lithograph

composition (irreg.): 18 1/2 x 13 11/16" (47 x 34.7 cm); sheet: 26 x 19 13/16" (66 x 50.4 cm)

Museum of Modern Art

Villa d'Este

1958 · Lithograph

composition (irreg.): 15 3/8 x 12 3/4" (39 x 32.4 cm); sheet: 22 1/4 x 14 7/8" (56.5 x 37.8 cm)

Museum of Modern Art

Pompei III

1958 · Lithograph

composition: 8 15/16 x 12 3/8" (22.7 x 31.4 cm); sheet: 12 5/8 x 17 11/16" (32 x 44.9 cm)

Museum of Modern Art

Florence at Dusk

1958 · Lithograph

sheet: 19 7/8 x 25 15/16" (50.5 x 65.9 cm)

Museum of Modern Art

Rut

1957 · Lithograph

composition: 18 11/16 x 24" (47.4 x 61 cm); sheet: 19 13/16 x 26 1/16" (50.4 x 66.2 cm)

Museum of Modern Art

Feuilles éparses

1957 · Illustrated book with nine etchings (two with aquatint, one with aquatint and drypoint), two engravings, one aquatint, one drypoint, and one woodcut

page (each approx.): 9 7/16 × 7 7/8" (24 × 20 cm); overall (closed): 9 13/16 × 8 1/4 × 1 11/16" (25 × 21 × 4.3 cm)

Museum of Modern Art

Attacked by Birds

1956 · Oil and sand on canvas

29 5/8 x 35 1/2" (75 x 90.1 cm)

Museum of Modern Art

Mist in the Valley of the Arc

1956 · Lithograph

composition: 16 9/16 x 21 1/16" (42 x 53.5 cm); sheet: 19 5/8 x 26" (49.9 x 66 cm)

Museum of Modern Art

Rome: Portico of Octavia

1956 · Lithograph

composition: 19 3/8 x 13 3/8" (49.2 x 33.9 cm); sheet: 25 x 17 15/16" (63.5 x 45.5 cm)

Museum of Modern Art

Pool at the Villa d'Este

1956 · Lithograph

composition: 15 1/16 x 11" (38.3 x 27.9 cm); sheet: 19 5/8 x 12 7/8" (49.9 x 32.7 cm)

Museum of Modern Art

The Camargue

1956 · Lithograph

composition: 17 5/8 x 14 1/16" (44.8 x 35.7 cm); sheet: 25 11/16 x 19 11/16" (65.3 x 50 cm)

Museum of Modern Art

Reclining Nude

1956 · Lithograph

composition: 16 1/8 x 23 7/8" (41 x 60.7 cm); sheet: 19 13/16 x 25 9/16" (50.4 x 65 cm)

Museum of Modern Art

Boats in Venice

1956 · Lithograph

composition: 14 3/4 x 19 3/4" (37.5 x 50.2 cm); sheet: 19 11/16 x 25 11/16" (50 x 65.2 cm)

Museum of Modern Art

Blue Vase

1956 · Lithograph

composition: 14 1/2 x 11 9/16" (36.8 x 29.3 cm); sheet: 21 3/8 x 15 3/16" (54.3 x 38.5 cm)

Museum of Modern Art

Green Nude

1956 · Lithograph

composition: 11 3/16 x 7 11/16" (28.4 x 19.5 cm); sheet: 15 1/16 x 11 1/8" (38.3 x 28.2 cm)

Museum of Modern Art

Rose and Blue Mountain

1956 · Lithograph

composition: 15 7/8 x 23 7/16" (40.3 x 59.5 cm); sheet: 19 11/16 x 25 13/16" (50 x 65.5 cm)

Museum of Modern Art

Street at Daybreak

1956 · Lithograph

composition: 12 15/16 x 10 1/16" (32.8 x 25.6 cm); sheet: 32 1/2 x 19 3/4" (82.5 x 50.2 cm)

Museum of Modern Art

Plate from Un Poème dans chaque livre

1956 · Aquatint from an illustrated book with seven etchings (three with aquatint, one with aquatint, drypoint, engraving, and roulette), three drypoints (one with engraving), two aquatints, two woodcuts, one engraving, and one lithograph

composition: 7 7/16 × 7" (18.9 × 17.8 cm); page: 7 7/16 × 7 1/16" (18.9 × 17.9 cm)

Museum of Modern Art

Star, Winged Being, Fish

1955 · Oil, sand and glue on canvas

support: 551 x 380 mm

Tate

Les Hain-Teny

1955 · Etching and aquatint on paper

image: 430 x 333 mm

Tate

Childbirth

1955 · Lithograph on paper

image: 528 x 435 mm

Tate

Peasant Brawl

1955 · Oil on canvas

130.8 × 162.6 cm (51 1/2 × 64 in.)

Art Institute of Chicago

Phoenix

1955 · Color lithograph on cream wove paper

Image: 45.8 × 61.3 cm (18 1/16 × 24 3/16 in.); Sheet: 50.2 × 66.7 cm (19 13/16 × 26 5/16 in.)

Art Institute of Chicago