Artworks · Alphonse Legros

The LumberJacks, second plate

1872 · Etching and drypoint printed in brown on cream wove paper

Image: 40.7 × 65.8 cm (16 1/16 × 25 15/16 in.); Plate: 41.8 × 67 cm (16 1/2 × 26 7/16 in.); Sheet: 48.4 × 71.2 cm (19 1/16 × 28 1/16 in.)

Art Institute of Chicago

The Canal: Morning

1872 · Etching and drypoint on light gray laid paper

Plate: 17 × 25.6 cm (6 3/4 × 10 1/8 in.); Sheet: 24.8 × 36.8 cm (9 13/16 × 14 1/2 in.)

Art Institute of Chicago

The Canal: Morning

1872 · Etching and drypoint printed in brown on light green laid paper

Image: 15.6 × 24.8 cm (6 3/16 × 9 13/16 in.); Plate: 17.1 × 25.5 cm (6 3/4 × 10 1/16 in.); Sheet: 25.5 × 35.9 cm (10 1/16 × 14 3/16 in.)

Art Institute of Chicago

Rehearsing the Service

1870 · Oil paint on canvas

support: 914 x 1168 mm frame: 1127 x 1458 x 136 mm

Tate

Horse-driven Mill (Le manege)

1869 · etching

National Gallery of Art

Reading of the Office of the Day (La lecture de l'office)

1868 · drypoint

National Gallery of Art

The Double Bass Player

1868 · Etching on ivory Japanese tissue

Plate: 30 × 21.1 cm (11 13/16 × 8 5/16 in.); Sheet: 30.7 × 21.7 cm (12 1/8 × 8 9/16 in.)

Art Institute of Chicago

Cupid and Psyche

1867 · Oil paint on canvas

support: 1168 x 1414 mm frame: 1475 x 1747 x 115 mm

Tate

Baptism

1865 · etching

sheet: 39.9 × 29.6 cm (15 11/16 × 11 5/8 in.)

National Gallery of Art

Baptism

1865 · etching

sheet: 27 × 36.4 cm (10 5/8 × 14 5/16 in.)

National Gallery of Art

Baptism

1865 · etching

National Gallery of Art

Spanish Singers (Les chantres espagnols)

1865 · etching

National Gallery of Art

Archers (Les archers)

1862 · etching

National Gallery of Art

The Refectory

1862 · Etching on cream laid paper

Image: 21.2 × 31.2 cm (8 3/8 × 12 5/16 in.); Plate: 24 × 32.8 cm (9 1/2 × 12 15/16 in.); Sheet: 34.8 × 53.7 cm (13 3/4 × 21 3/16 in.)

Art Institute of Chicago

The Black Cat

1862 · Etching and plate tone on ivory laid paper

Plate: 27.4 × 37.1 cm (10 13/16 × 14 5/8 in.); Sheet: 35.9 × 52.6 cm (14 3/16 × 20 3/4 in.)

Art Institute of Chicago

Berenice

1861 · Etching on ivory laid paper

Plate: 27.3 × 37.6 cm (10 3/4 × 14 13/16 in.); Sheet: 28.2 × 38.4 cm (11 1/8 × 15 1/8 in.)

Art Institute of Chicago

The Supper

1861 · Etching on ivory laid paper

Image/plate: 12.4 × 17.2 cm (4 15/16 × 6 13/16 in.); Sheet: 25.8 × 31.7 cm (10 3/16 × 12 1/2 in.)

Art Institute of Chicago

The Shadow

1861 · Etching with foul biting and plate tone in warm black on ivory laid paper

Plate: 37 × 26.8 cm (14 5/8 × 10 9/16 in.); Sheet: 49.6 × 33.2 cm (19 9/16 × 13 1/8 in.)

Art Institute of Chicago

The Truth in the Case of Mr. Waldemar

1861 · Etching and plate tone on ivory laid paper

Plate: 27.3 × 37.8 cm (10 3/4 × 14 15/16 in.); Sheet: 28.4 × 38.8 cm (11 3/16 × 15 5/16 in.)

Art Institute of Chicago

The Pit and the Pendulum, second Plate

1861 · Etching on ivory laid paper

Plate: 26.5 × 36.7 cm (10 7/16 × 14 1/2 in.); Sheet: 27.4 × 37.2 cm (10 13/16 × 14 11/16 in.)

Art Institute of Chicago

Peasant Washing Her Feet (Paysanne se lavant les pieds)

1860 · etching and drypoint

National Gallery of Art

Choir in a Spanish Church (Le choeur d'une eglise espagnole)

1860 · etching

National Gallery of Art

Black Cat (Le chat noir)

1860 · etching on laid paper

plate: 27.1 × 37.2 cm (10 11/16 × 14 5/8 in.) sheet: 27.5 × 37.8 cm (10 13/16 × 14 7/8 in.)

National Gallery of Art

Choir in a Spanish Church (La choeur d'une eglise espagnole)

1860 · etching and drypoint

National Gallery of Art

Procession in the Sepulchre of Saint Medard(Procession dans les caveaux de St.Medard)

1859 · etching on laid paper

plate: 19.4 × 40.1 cm (7 5/8 × 15 13/16 in.) sheet: 30.2 × 47.6 cm (11 7/8 × 18 3/4 in.)

National Gallery of Art

Procession in the Sepulchre of Saint Medard(Procession dans le caveaux de St.-Medard)

1859 · etching

National Gallery of Art

Procession in the Crypt of St. Medard

1859 · Etching on cream laid paper

Plate: 19.4 × 40.1 cm (7 11/16 × 15 13/16 in.); Sheet: 35.6 × 52 cm (14 1/16 × 20 1/2 in.)

Art Institute of Chicago

Head of a Chlid

1857 · Black chalk on ivory laid paper (discolored to yellow)

27.4 × 19.2 cm (10 13/16 × 7 9/16 in.)

Art Institute of Chicago

A Seated Monk

1857 · Graphite on ivory laid paper

20.1 × 11.7 cm (7 15/16 × 4 5/8 in.)

Art Institute of Chicago

Two Sketches of a Horse

1857 · Graphite on ivory laid paper (discolored to cream)

21.5 × 32.9 cm (8 1/2 × 13 in.)

Art Institute of Chicago

Reclining Male Figure

1857 · Charcoal, on ivory laid paper

17.1 × 22 cm (6 3/4 × 8 11/16 in.)

Art Institute of Chicago

Head of an Old Man

1857 · Graphite on ivory laid paper

15.3 × 12.7 cm (6 1/16 × 5 in.)

Art Institute of Chicago

Standing Female Nude

1857 · Graphite on ivory laid paper

33.7 × 13 cm (13 5/16 × 5 1/8 in.)

Art Institute of Chicago

Head of a Man with a Beard

1857 · Metalpoint on off-white laid paper, prepared with a salmon ground

29.1 × 20.4 cm (11 1/2 × 8 1/16 in.)

Art Institute of Chicago

Distribution of Alms

1857 · Pen and brown ink, and brush and brown wash, on ivory laid paper

16.5 × 11.2 cm (6 1/2 × 4 7/16 in.)

Art Institute of Chicago

Traveller Resting

1857 · Drypoint and etching on cream laid paper

Image/plate: 10 × 13.6 cm (3 15/16 × 5 3/8 in.); Sheet: 14.3 × 24.7 cm (5 11/16 × 9 3/4 in.)

Art Institute of Chicago

Fireside

1857 · Etching on ivory laid paper

Image/plate: 23 × 15.7 cm (9 1/16 × 6 3/16 in.); Sheet: 34.4 × 24.1 cm (13 9/16 × 9 1/2 in.)

Art Institute of Chicago

Peat-Bogs

1857 · Drypoint and plate tone on light green laid paper

Plate: 14 × 25.2 cm (5 9/16 × 9 15/16 in.); Sheet: 18.5 × 27.8 cm (7 5/16 × 11 in.)

Art Institute of Chicago

Portrait of Tolstoy

1857 · Drypoint on ivory laid paper

Plate: 27.3 × 19.9 cm (10 3/4 × 7 7/8 in.); Sheet: 32.8 × 24.8 cm (12 15/16 × 9 13/16 in.)

Art Institute of Chicago

Fishing with a Hoop-Net

1857 · Etching and aquating on cream laid paper

Image: 33.6 × 44.7 cm (13 1/4 × 17 5/8 in.); Plate: 35.3 × 46 cm (13 15/16 × 18 1/8 in.); Sheet: 39.3 × 50.2 cm (15 1/2 × 19 13/16 in.)

Art Institute of Chicago

Portrait of the Artist

1857 · Etching with drypoint on cream laid paper

Image/plate: 36 × 25.6 cm (14 3/16 × 10 1/8 in.); Sheet folded at top and bottom margins: 44.7 × 31.7 cm (17 5/8 × 12 1/2 in.)

Art Institute of Chicago

Landscape

1857 · Etching on ivory laid paper

Plate: 21.1 × 33.3 cm (8 5/16 × 13 1/8 in.); Sheet: 26.3 × 37.8 cm (10 3/8 × 14 15/16 in.)

Art Institute of Chicago

The Lost Sheep Found

1857 · Etching on ivory wove paper

Plate: 46.2 × 32 cm (18 1/4 × 12 5/8 in.); Sheet: 52.6 × 35.1 cm (20 3/4 × 13 7/8 in.)

Art Institute of Chicago

Cardinal Manning

1857 · Lithograph in black on cream China paper, laid down on ivory wove paper

Image: 26.7 × 22.8 cm (10 9/16 × 9 in.); Chine: 33.2 × 23.7 cm (13 1/8 × 9 3/8 in.); Sheet: 42.6 × 29.1 cm (16 13/16 × 11 1/2 in.)

Art Institute of Chicago

Landscape with Marsh

1857 · Etching and drypoint on cream laid paper

Plate: 27.8 × 38 cm (11 × 15 in.); Sheet: 29.5 × 38.6 cm (11 5/8 × 15 1/4 in.)

Art Institute of Chicago

Procession in a Spanish Church

1856 · Etching on cream wove paper

Image: 41.5 × 67.9 cm (16 3/8 × 26 3/4 in.); Plate: 42.2 × 68.7 cm (16 5/8 × 27 1/16 in.); Sheet: 47.8 × 74.2 cm (18 7/8 × 29 1/4 in.)

Art Institute of Chicago

Communion in the Church of St. Médard

1856 · Etching and drypoint on ivory chine

Plate: 36.6 × 27.1 cm (14 7/16 × 10 11/16 in.); Sheet: 40.9 × 31.2 cm (16 1/8 × 12 5/16 in.)

Art Institute of Chicago

Farm with a Large Tree (La Ferme au Grand Arbre)

1855 · etching with drypoint

sheet: 48.2 × 33.4 cm (19 × 13 1/8 in.)

National Gallery of Art