Artworks · Alfred Stevens

In the Studio

1888 · Oil on canvas

42 x 53 1/2 in. (106.7 x 135.9 cm)

The Metropolitan Museum of Art

In the Studio

1888 · Oil on canvas

42 x 53 1/2 in. (106.7 x 135.9 cm)

The Metropolitan Museum of Art

Brief aan Philip Zilcken

1887 · writing (processes) on paper, ink

height: 425 cm, width: 425 cm

Rijksmuseum

Brief aan Philip Zilcken

1884 · writing (processes) on ink, paper

width: 425 cm, height: 425 cm

Rijksmuseum

A Standing Young Lady Taking Off Her Gloves

1876 · Pen and brown ink, over graphite

Sheet: 13 × 9 5/8 in. (33 × 24.5 cm)

The Metropolitan Museum of Art

A Standing Young Lady Taking Off Her Gloves

1876 · Pen and brown ink, over graphite

Sheet: 13 × 9 5/8 in. (33 × 24.5 cm)

The Metropolitan Museum of Art

After the Ball

1874 · Oil on canvas

37 3/4 x 27 1/8 in. (95.9 x 68.9 cm)

The Metropolitan Museum of Art

After the Ball

1874 · Oil on canvas

37 3/4 x 27 1/8 in. (95.9 x 68.9 cm)

The Metropolitan Museum of Art

The Corner of the Balcony

1872 · Gouache with pen and black ink, on ivory wove paper, laid down on white Japanese paper

29.4 × 16.1 cm (11 5/8 × 6 3/8 in.)

Art Institute of Chicago

At the Railway Station

1869 · Oil on panel

64.8 × 47 cm (25 1/2 × 18 1/2 in.); Framed: 79.4 × 62.3 × 10.2 cm (31 1/4 × 24 1/2 × 4 in.)

Art Institute of Chicago

The Japanese Robe

1868 · Oil on canvas

36 1/2 x 25 1/8 in. (92.7 x 63.8 cm)

The Metropolitan Museum of Art

The Japanese Robe

1868 · Oil on canvas

36 1/2 x 25 1/8 in. (92.7 x 63.8 cm)

The Metropolitan Museum of Art

Young Woman in White Holding a Bouquet

1865 · oil on wood

overall: 28.8 x 21.5 cm (11 5/16 x 8 7/16 in.) framed: 46.4 x 41 cm (18 1/4 x 16 1/8 in.)

National Gallery of Art

Design for Roundel of a Door at Dorchester House

1864 · Ink and watercolour on paper

Tate

Design for the Top Panel of the Overmantel of the Fireplace for Dorchester House

1863 · Watercolour, ink and graphite on paper

support: 140 x 470 mm

Tate

Studies of Angels etc. for the Dome of St Paul’s

1862 · Graphite on paper

support: 308 x 257 mm

Tate

Hesitation (Madame Monteaux?)

1862 · Oil on panel

55.5 × 43.2 cm (21 7/8 × 17 in.); Framed: 68 × 56.5 × 7 cm (26 3/4 × 22 1/4 × 2 3/4 in.)

Art Institute of Chicago

Design for Two-Handled Majolica Vase

1861 · Graphite and watercolour on paper

support: 327 x 178 mm

Tate

Study of a Kneeling Boy Bending a Bow, for Dorchester House

1860 · Chalk on paper

support: 321 x 257 mm

Tate

Study for ‘Aeneas Bearing Anchises on his Shoulders’, for Dorchester House

1860 · Chalk on paper

support: 333 x 260 mm

Tate

Study for a Seated Woman Gazing at ‘Magog Thrown into the Sea’, for Dorchester House

1860 · Chalk on paper

support: 333 x 270 mm

Tate

Design for ‘The Angel Announcing the Birth of Our Lord to the Shepherds’ (N01957)

1860 · Graphite and ink on paper

support: 156 x 527 mm

Tate

The Angel Announcing the Birth of Our Lord to the Shepherds

1860 · Oil paint on board

support: 397 x 1019 mm

Tate

Study of the End of a Room Including a Bust of Raphael and his Fresco ‘Jurisprudence’

1859 · Graphite and watercolour on paper

support: 302 x 391 mm

Tate

Study for Amoret Bound in the House of Busirane

1855 · Graphite on paper

support: 305 x 248 mm

Tate

Mary Ann, Wife of Leonard Collman

1854 · Oil paint on canvas

support: 705 x 552 mm

Tate

Mrs Elizabeth Young Mitchell and her Baby

1851 · Oil paint on canvas

support: 635 x 762 mm frame: 820 x 945 x 80 mm

Tate

William Blundell Spence

1851 · Oil paint on canvas

support: 613 x 508 mm frame: 845 x 750 x 100 mm

Tate

King Alfred and his Mother

1848 · Oil paint on wood

support: 343 x 343 mm

Tate

Judith

1848 · Oil paint on wood

support: 229 x 178 mm

Tate

Study for ‘Mutability’, Probably for Deysbrook House, Liverpool

1847 · Charcoal on paper

support: 216 x 584 mm

Tate

The Hon. and Rev. Samuel Best

1840 · Oil paint on canvas

support: 514 x 483 mm frame: 695 x 660 x 67 mm

Tate

An Artist in his Studio

1840 · Oil paint on canvas

support: 600 x 476 mm

Tate

John Morris Moore

1840 · Oil paint on canvas

support: 597 x 476 mm frame: 845 x 726 x 90 mm

Tate

Portrait of a Man

1839 · Oil paint on canvas

support: 416 x 454 mm

Tate

The Hon. and Rev. Samuel Best

1833 · Ink on paper

support: 422 x 286 mm

Tate

Miss Emma Pegler

1832 · Oil paint on canvas

support: 533 x 432 mm

Tate

Samuel Pegler

1832 · Oil paint on canvas

support: 460 x 381 mm

Tate

Self-Portrait at the Age of 14

1832 · Oil paint on canvas

support: 308 x 248 mm

Tate

Woman Reading

1823 · charcoal and white chalk on buff laid paper

overall: 51.9 x 35.6 cm (20 7/16 x 14 in.)

National Gallery of Art

Study of a Model

1823 · oil on wood

overall: 40.7 x 26.6 cm (16 x 10 1/2 in.)

National Gallery of Art

Charity. Design for a Roundel

Graphite on paper

support: 102 x 107 mm

Tate

Studies of a Man Leaning over a Balustrade; the Head of a Dog Carrying a Stick. Verso: Sketch

Graphite on paper. Verso: graphite on paper

support: 268 x 188 mm

Tate

Studies for the Wellington Monument

Graphite on paper

support: 268 x 188 mm

Tate

Design in Perspective for the Decoration of a Vaulted Corridor

Ink, watercolour and graphite on paper

support: 321 x 470 mm

Tate