Artworks · Albrecht Dürer

Coat of Arms of Wilhelm and Wolfgang Rogendorf

1864 · Lithograph in black on ivory wove paper

Image: 62.8 × 44.8 cm (24 3/4 × 17 11/16 in.); Sheet: 64.8 × 46.4 cm (25 9/16 × 18 5/16 in.)

Art Institute of Chicago

Copies After details in Various Durer Prints

1800 · Pen and brown ink, with touches of black chalk, on cream laid paper

13.1 × 28.9 cm (5 3/16 × 11 7/16 in.)

Art Institute of Chicago

The Annunciation, from The Life of the Virgin

1590 · Woodcut in black on ivory laid paper

Image: 29.8 × 21.2 cm (11 3/4 × 8 3/8 in.); Sheet: 32.2 × 23.7 cm (12 11/16 × 9 3/8 in.)

Art Institute of Chicago

Dead Blue Roller

1583 · watercolor and gouache with touches of gold

Sheet: 29.2 x 16.9 cm (11 1/2 x 6 5/8 in.); Secondary Support: 29.2 x 16.9 cm (11 1/2 x 6 5/8 in.)

Cleveland Museum of Art

Madonna on a Grassy Bank

1566 · Engraving on ivory laid paper

Image/plate/sheet: 11.3 × 7.2 cm (4 1/2 × 2 7/8 in.)

Art Institute of Chicago

The Abduction of Proserpine on a Unicorn

1540 · Etching in black on ivory laid paper

Image: 31.1 × 21.2 cm (12 1/4 × 8 3/8 in.); Sheet: 31.1 × 21.3 cm (12 1/4 × 8 7/16 in.)

Art Institute of Chicago

"Alberti Dvreri pictoris et architecti praestantissimi De vrbibvs..."

1535 · Illustrated book

78 pp.; H: 13 3/4 in. (35 cm)

The Metropolitan Museum of Art

Illustration to Vier Bücher von der Menschlichen Proportion, plate one from Woodcuts from Books of the XVI Century

1528 · Woodcut in black on ivory laid paper

Image/text: 23 × 12.9 cm (9 1/16 × 5 1/8 in.); Sheet: 35 × 25 cm (13 13/16 × 9 7/8 in.)

Art Institute of Chicago

Tuft of Cowslips

1526 · gouache on parchment

overall: 19.3 x 16.8 cm (7 5/8 x 6 5/8 in.)

National Gallery of Art

Time and a Fox Turning the Wheel of Fortune with People of all Ranks to the Right

1526 · woodcut

National Gallery of Art

The Teacher, the Clergyman, and Providence

1526 · woodcut

National Gallery of Art

The Holy Family on a Grassy Bench

1526 · woodcut on laid paper

sheet (trimmed to block): 14.6 × 11.3 cm (5 3/4 × 4 7/16 in.)

National Gallery of Art

Eobanus Hess

1526 · woodcut

National Gallery of Art

Justice, Truth and Reason in the Stocks with the Seated Judge and Sleeping Piety

1526 · woodcut

National Gallery of Art

Saint Philip

1526 · engraving on laid paper

sheet (trimmed to plate): 12.2 × 7.8 cm (4 13/16 × 3 1/16 in.)

National Gallery of Art

Erasmus of Rotterdam

1526 · engraving on laid paper

plate: 24.9 × 19.1 cm (9 13/16 × 7 1/2 in.) sheet: 25.8 × 19.5 cm (10 3/16 × 7 11/16 in.)

National Gallery of Art

Philip Melanchthon

1526 · engraving on laid paper

sheet (trimmed to plate): 17.5 × 13.1 cm (6 7/8 × 5 3/16 in.)

National Gallery of Art

Philip Melanchthon

1526 · Engraving in black on ivory laid paper

Image/plate: 17.3 × 12.8 cm (6 13/16 × 5 1/16 in.); Sheet: 17.6 × 13.1 cm (6 15/16 × 5 3/16 in.)

Art Institute of Chicago

Erasmus of Rotterdam

1526 · Engraving in black on ivory laid paper

Image/plate: 25.1 × 19.3 cm (9 15/16 × 7 5/8 in.); Sheet: 25.8 × 19.7 cm (10 3/16 × 7 13/16 in.)

Art Institute of Chicago

Erasmus of Rotterdam

1526 · Engraving in black on ivory laid paper

24.9 × 19.4 cm (9 13/16 × 7 11/16 in.)

Art Institute of Chicago

St. Philip

1526 · Engraving in black on ivory laid paper

12.1 × 7.5 cm (4 13/16 × 3 in.)

Art Institute of Chicago

The Michelfeldt Tapestry (Allegory on Social Injustice), first part of three

1526 · Woodcut in black on cream laid paper

Sheet: 15.3 × 31.1 cm (6 1/16 × 12 1/4 in.)

Art Institute of Chicago

Sammelband containing De Symmetria Partium (1532), De Varietate Figurarum (1534), Etliche underricht zu befestigung der Stett Schloss und Flecke (1527), and Underweysung der Messung (1538)

1525 · Book of letterpress text and woodcut illustations on cream laid paper, extra illustrated with a woodcut in black on ivory laid paper, tipped in after the front flyleaf; in full alum-tawed pigskin over beveled wooden boards, sewn on raised thongs, blind tooled ‘all-over’ with small tools, with two brass hook-clasp fastenings and hand-sewn headbands

Sheet: 29.2 × 20 cm (11 1/2 × 7 7/8 in.)

Art Institute of Chicago

Sammelband containing Etliche underricht zu befestigung der Stett Schloss und Flecken (1527) and Underweysung der Messung (1525)

1525 · Book with woodcuts and letterpress text in black on ivory laid paper

Art Institute of Chicago

Willibald Pirckheimer

1524 · engraving on laid paper

sheet (cut to platemark): 10.8 x 11.2 cm (4 1/4 x 4 7/16 in.)

National Gallery of Art

Frederick the Wise, Elector of Saxony

1524 · engraving on laid paper

sheet (trimmed to plate mark): 19.2 x 12.7 cm (7 9/16 x 5 in.)

National Gallery of Art

Frederick the Wise, Elector of Saxony

1524 · Engraving in black on ivory laid paper

19.4 × 12.8 cm (7 11/16 × 5 1/16 in.)

Art Institute of Chicago

Elector Frederick the Wise of Saxony

1524 · Engraving in black on ivory laid paper

19.3 × 12.6 cm (7 5/8 × 5 in.)

Art Institute of Chicago

The Triumphal Chariot of Maximilian I (The Great Triumphal Car) [plate 1 of 8]

1523 · woodcut

National Gallery of Art

Saint Bartholomew

1523 · engraving on laid paper

plate: 12 × 7.4 cm (4 3/4 × 2 15/16 in.) sheet: 13 × 8.4 cm (5 1/8 × 3 5/16 in.)

National Gallery of Art

The Triumphal Chariot of Maximilian I (The Great Triumphal Car)

1523 · woodcut//Eight joined plates

sheet: 53.02 × 233.76 cm (20 7/8 × 92 in.)

National Gallery of Art

The Last Supper

1523 · woodcut

National Gallery of Art

Cardinal Albrecht of Brandenburg ("Large Cardinal")

1523 · engraving on laid paper

sheet (trimmed to plate mark): 16.9 x 12.6 cm (6 5/8 x 4 15/16 in.)

National Gallery of Art

Saint Simon

1523 · engraving on laid paper

sheet (trimmed to plate): 11.8 × 7.6 cm (4 5/8 × 3 in.)

National Gallery of Art

Cardinal Albrecht of Brandenburg (The Great Cardinal)

1523 · Engraving in black on ivory laid paper

17.3 × 12.7 cm (6 13/16 × 5 in.)

Art Institute of Chicago

The Last Supper

1523 · Woodcut in black on ivory laid paper

21.3 × 30 cm (8 7/16 × 11 13/16 in.)

Art Institute of Chicago

The Last Supper

1523 · woodcut

image: 21.3 x 30.3 cm (8 3/8 x 11 15/16 in.) sheet: 23 x 31.7 cm (9 1/16 x 12 1/2 in.)

National Gallery of Art

The Triumphal Chariot of Maximilian I (The Great Triumphal Car) [plate 8 of 8]

1522 · woodcut

National Gallery of Art

The Triumphal Chariot of Maximilian I (The Great Triumphal Car) [plate 7 of 8]

1522 · woodcut

National Gallery of Art

The Triumphal Chariot of Maximilian I (The Great Triumphal Car) [plate 5 of 8]

1522 · woodcut

National Gallery of Art

The Triumphal Chariot of Maximilian I (The Great Triumphal Car) [plate 6 of 8]

1522 · woodcut

National Gallery of Art

The Triumphal Chariot of Maximilian I (The Great Triumphal Car) [plate 4 of 8]

1522 · woodcut

National Gallery of Art

The Triumphal Chariot of Maximilian I (The Great Triumphal Car) [plate 2 of 8]

1522 · woodcut

National Gallery of Art

The Triumphal Chariot of Maximilian I (The Great Triumphal Car) [plate 3 of 8]

1522 · woodcut

National Gallery of Art

Ulrich Varnbüler

1522 · woodcut

National Gallery of Art

Ulrich Varnbüler

1522 · chiaroscuro woodcut on laid paper

sheet (trimmed to block): 43 x 33 cm (16 15/16 x 13 in.)

National Gallery of Art

Portrait of Ulrich Varnbüler

1522 · Woodcut in black on ivory laid paper

43.3 × 32.7 cm (17 1/16 × 12 7/8 in.)

Art Institute of Chicago

Ulrich Varnbüler

1522 · Woodcut in black on ivory laid paper with added brown and sepia tone blocks

Image/sheet, trimmed within platemark: 43 × 32.7 cm (16 15/16 × 12 7/8 in.)

Art Institute of Chicago