Artworks · Albrecht Dürer

Masquerade Dance with Torches

1922 · Woodcut; Dershau restrike, 1922

The Metropolitan Museum of Art

The Patron Saints of Austria

1922 · Woodcut; Dershau restrike, 1922

Sheet: 8 15/16 × 15 11/16 in. (22.7 × 39.9 cm)

The Metropolitan Museum of Art

Portrait of a Woman, Said to Be Caritas Pirckheimer (1467–1532)

1900 · Oil on linen

18 1/2 x 14 1/2 in. (47 x 36.8 cm)

The Metropolitan Museum of Art

Coat of Arms of Wilhelm and Wolfgang Rogendorf

1864 · Lithograph in black on ivory wove paper

Image: 62.8 × 44.8 cm (24 3/4 × 17 11/16 in.); Sheet: 64.8 × 46.4 cm (25 9/16 × 18 5/16 in.)

Art Institute of Chicago

Copies After details in Various Durer Prints

1800 · Pen and brown ink, with touches of black chalk, on cream laid paper

13.1 × 28.9 cm (5 3/16 × 11 7/16 in.)

Art Institute of Chicago

Sixteenth-century-style pendant

1800 · Gold, pearls, sapphire, enamel

Overall: 1 3/4 × 1 in. (4.4 × 2.5 cm)

The Metropolitan Museum of Art

Christ Nailed to The Cross, from "The Small Passion", edition Venice

1612 · Woodcut

sheet: 8 1/16 x 5 13/16 in. (20.5 x 14.7 cm)

The Metropolitan Museum of Art

The Lamentation, from "The Small Passion", edition Venice

1612 · Woodcut

sheet: 8 1/16 x 5 13/16 in. (20.5 x 14.7 cm)

The Metropolitan Museum of Art

The Expulsion from Paradise, from "The Small Passion", edition Venice

1612 · Woodcut

sheet: 8 1/16 x 5 13/16 in. (20.5 x 14.7 cm)

The Metropolitan Museum of Art

Female Nude Seen from Behind

1600 · Honestone

wt. confirmed: 6 × 2 5/8 in., 8.818oz. (15.2 × 6.7 cm, 250g)

The Metropolitan Museum of Art

Draughtsman Making a Perspective Drawing of a Reclining Woman

1595 · Woodcut

sheet: 3 1/16 x 8 7/16 in. (7.7 x 21.4 cm)

The Metropolitan Museum of Art

The Annunciation, from The Life of the Virgin

1590 · Woodcut in black on ivory laid paper

Image: 29.8 × 21.2 cm (11 3/4 × 8 3/8 in.); Sheet: 32.2 × 23.7 cm (12 11/16 × 9 3/8 in.)

Art Institute of Chicago

Dead Blue Roller

1583 · watercolor and gouache with touches of gold

Sheet: 29.2 x 16.9 cm (11 1/2 x 6 5/8 in.); Secondary Support: 29.2 x 16.9 cm (11 1/2 x 6 5/8 in.)

Cleveland Museum of Art

Madonna on a Grassy Bank

1566 · Engraving on ivory laid paper

Image/plate/sheet: 11.3 × 7.2 cm (4 1/2 × 2 7/8 in.)

Art Institute of Chicago

The Abduction of Proserpine on a Unicorn

1540 · Etching in black on ivory laid paper

Image: 31.1 × 21.2 cm (12 1/4 × 8 3/8 in.); Sheet: 31.1 × 21.3 cm (12 1/4 × 8 7/16 in.)

Art Institute of Chicago

"Alberti Dvreri pictoris et architecti praestantissimi De vrbibvs..."

1535 · Illustrated book

78 pp.; H: 13 3/4 in. (35 cm)

The Metropolitan Museum of Art

"Alberti Dvreri pictoris et architecti praestantissimi De vrbibvs..."

1535 · Illustrated book

78 pp.; H: 13 3/4 in. (35 cm)

The Metropolitan Museum of Art

Illustration to Vier Bücher von der Menschlichen Proportion, plate one from Woodcuts from Books of the XVI Century

1528 · Woodcut in black on ivory laid paper

Image/text: 23 × 12.9 cm (9 1/16 × 5 1/8 in.); Sheet: 35 × 25 cm (13 13/16 × 9 7/8 in.)

Art Institute of Chicago

Illustration from Dürers Vier Bucher von Menslicher Proportion, Nuremberg, 1528

1528 · Woodcut

The Metropolitan Museum of Art

Illustration and Text from Dürers Vier Bucher von Menslicher Proportion, Nuremberg, 1528

1528 · Woodcut

The Metropolitan Museum of Art

IIllustration from Dürers Vier Bucher von Menslicher Proportion, Nuremberg, 1528

1528 · Woodcut

The Metropolitan Museum of Art

Illustration from Dürers Vier Bucher von Menslicher Proportion, Nuremberg, 1528

1528 · Woodcut

The Metropolitan Museum of Art

The Arms of Ferdinand I, King of Hungary and Bohemia

1527 · Woodcut

sheet: 10 1/16 x 5 7/8 in. (25.6 x 14.9 cm)

The Metropolitan Museum of Art

Tuft of Cowslips

1526 · gouache on parchment

overall: 19.3 x 16.8 cm (7 5/8 x 6 5/8 in.)

National Gallery of Art

Time and a Fox Turning the Wheel of Fortune with People of all Ranks to the Right

1526 · woodcut

National Gallery of Art

The Teacher, the Clergyman, and Providence

1526 · woodcut

National Gallery of Art

The Holy Family on a Grassy Bench

1526 · woodcut on laid paper

sheet (trimmed to block): 14.6 × 11.3 cm (5 3/4 × 4 7/16 in.)

National Gallery of Art

Eobanus Hess

1526 · woodcut

National Gallery of Art

Justice, Truth and Reason in the Stocks with the Seated Judge and Sleeping Piety

1526 · woodcut

National Gallery of Art

Saint Philip

1526 · engraving on laid paper

sheet (trimmed to plate): 12.2 × 7.8 cm (4 13/16 × 3 1/16 in.)

National Gallery of Art

Erasmus of Rotterdam

1526 · engraving on laid paper

plate: 24.9 × 19.1 cm (9 13/16 × 7 1/2 in.) sheet: 25.8 × 19.5 cm (10 3/16 × 7 11/16 in.)

National Gallery of Art

Philip Melanchthon

1526 · engraving on laid paper

sheet (trimmed to plate): 17.5 × 13.1 cm (6 7/8 × 5 3/16 in.)

National Gallery of Art

Philip Melanchthon

1526 · Engraving in black on ivory laid paper

Image/plate: 17.3 × 12.8 cm (6 13/16 × 5 1/16 in.); Sheet: 17.6 × 13.1 cm (6 15/16 × 5 3/16 in.)

Art Institute of Chicago

Erasmus of Rotterdam

1526 · Engraving in black on ivory laid paper

Image/plate: 25.1 × 19.3 cm (9 15/16 × 7 5/8 in.); Sheet: 25.8 × 19.7 cm (10 3/16 × 7 13/16 in.)

Art Institute of Chicago

Erasmus of Rotterdam

1526 · Engraving in black on ivory laid paper

24.9 × 19.4 cm (9 13/16 × 7 11/16 in.)

Art Institute of Chicago

St. Philip

1526 · Engraving in black on ivory laid paper

12.1 × 7.5 cm (4 13/16 × 3 in.)

Art Institute of Chicago

The Michelfeldt Tapestry (Allegory on Social Injustice), first part of three

1526 · Woodcut in black on cream laid paper

Sheet: 15.3 × 31.1 cm (6 1/16 × 12 1/4 in.)

Art Institute of Chicago

The Madonna on a Grassy Bank

1526 · Woodcut

sheet: 5 3/4 x 4 3/8 in. (14.6 x 11.1 cm)

The Metropolitan Museum of Art

Philip Melanchthon

1526 · Engraving

sheet: 6 15/16 x 5 in. (17.7 x 12.7 cm) fair margin

The Metropolitan Museum of Art

Erasmus of Rotterdam

1526 · Engraving

sheet: 9 3/4 x 7 1/2 in. (24.8 x 19.1 cm) trimmed within plate line at top and bottom, slight margin at sides

The Metropolitan Museum of Art

Sammelband containing De Symmetria Partium (1532), De Varietate Figurarum (1534), Etliche underricht zu befestigung der Stett Schloss und Flecke (1527), and Underweysung der Messung (1538)

1525 · Book of letterpress text and woodcut illustations on cream laid paper, extra illustrated with a woodcut in black on ivory laid paper, tipped in after the front flyleaf; in full alum-tawed pigskin over beveled wooden boards, sewn on raised thongs, blind tooled ‘all-over’ with small tools, with two brass hook-clasp fastenings and hand-sewn headbands

Sheet: 29.2 × 20 cm (11 1/2 × 7 7/8 in.)

Art Institute of Chicago

Sammelband containing Etliche underricht zu befestigung der Stett Schloss und Flecken (1527) and Underweysung der Messung (1525)

1525 · Book with woodcuts and letterpress text in black on ivory laid paper

Art Institute of Chicago

Willibald Pirckheimer

1524 · engraving on laid paper

sheet (cut to platemark): 10.8 x 11.2 cm (4 1/4 x 4 7/16 in.)

National Gallery of Art

Frederick the Wise, Elector of Saxony

1524 · engraving on laid paper

sheet (trimmed to plate mark): 19.2 x 12.7 cm (7 9/16 x 5 in.)

National Gallery of Art

Frederick the Wise, Elector of Saxony

1524 · Engraving in black on ivory laid paper

19.4 × 12.8 cm (7 11/16 × 5 1/16 in.)

Art Institute of Chicago

Elector Frederick the Wise of Saxony

1524 · Engraving in black on ivory laid paper

19.3 × 12.6 cm (7 5/8 × 5 in.)

Art Institute of Chicago

The Triumphal Chariot of Maximilian I (The Great Triumphal Car) [plate 1 of 8]

1523 · woodcut

National Gallery of Art

Saint Bartholomew

1523 · engraving on laid paper

plate: 12 × 7.4 cm (4 3/4 × 2 15/16 in.) sheet: 13 × 8.4 cm (5 1/8 × 3 5/16 in.)

National Gallery of Art