WATTS INDEXThe canonical database of visual culture

Artists›Agostino Carracci, Italian

Agostino Carracci, Italian

Artist

WA-00082929

Printmaking

Representation

None documented

Institutional Exhibitions

Works in Collection

Assets Indexed

Authority-backed Facts

Publications Referenced

30%

Profile Completeness

Cultural Positioning

Influence Graph

No influence edges encoded yet.

Field Verification (1 fields)

1 cross-verified · 0 single-source

Is PublishedPath D Subcohort4 Directory 2026-05-23· 100%✓

Source Registry (1)

Cooper Hewittsub-cohort-4-backfill:cooper_hewitt
Tier 3 · Scraped/inferred40%

About

Why this artist matters now

No biography available for Agostino Carracci, Italian yet.

Graph relationships

Taste overlap and adjacency

Movement

—

Medium

Printmaking

Related Artists

6 in graph

Institutional

Museum Collections

Cooper Hewitt, Smithsonian Design Museum

Canonical record

Artworks (20)

Omnia Vincit Amor

1599 · Engraving

Plate: 5 × 7 3/8 in. (12.7 × 18.8 cm) Sheet: 5 1/8 x 7 5/8 in. (13 x 19.3 cm)

The Metropolitan Museum of Art

Love Conquers All

1599 · Etching on ivory laid paper

Image/sheet, cut within platemark: 12.7 × 18.7 cm (5 × 7 3/8 in.)

Art Institute of Chicago

Love Conquers All (Omnia vincit Amor), in a struggle with a satyr Amor places his right knee on its thigh, two nude nymphs are seated with interlocking legs at the base of a tree

1599 · Engraving

sheet: 5 x 7 7/16 in. (12.7 x 18.9 cm)

The Metropolitan Museum of Art

Aeneas and His Family Fleeing Troy

1595 · engraving

Platemark: 40.6 x 52.5 cm (16 x 20 11/16 in.); Sheet: 40.7 x 54 cm (16 x 21 1/4 in.)

Cleveland Museum of Art

The Fan (L'Eventail)

1594 · etching

Cleveland Museum of Art

Portrait of the Artist's Son, Antonio Carracci

1592 · Red chalk on cream laid paper, laid down on cream wove paper

36.1 × 25.6 cm (14 1/4 × 10 1/8 in.)

Art Institute of Chicago

Four Sketches: Griffin, Grotesque Head, Head of Satyr, Bent Leg

1590 · Pen and brown ink, with traces of black chalk, on ivory laid paper, laid down on ivory laid card

19.6 × 27.1 cm (7 3/4 × 10 11/16 in.)

Art Institute of Chicago

Satyr whipping a nymph, who is shown from behind and bound to a tree, a second satyr bearing a club stands in the middle ground

1590 · Engraving

sheet: 5 15/16 x 4 5/16 in. (15.1 x 11 cm)

The Metropolitan Museum of Art

Mercury and the Graces

1589 · Engraving with etching in black ink on ivory laid paper

Image: 20.2 × 25.8 cm (8 × 10 3/16 in.); Plate: 20.5 × 25.8 cm (8 1/8 × 10 3/16 in.); Sheet: 20.8 × 25.8 cm (8 1/4 × 10 3/16 in.)

Art Institute of Chicago

St. Francis Receiving the Stigmata

1586 · engraving

Sheet: 45.8 x 31.5 cm (18 1/16 x 12 3/8 in.)

Cleveland Museum of Art

Ogni cosa vince l'oro

1585 · Engraving

8 3/8 x 5 7/8 in. (21.2 x 15 cm)

The Metropolitan Museum of Art

Orpheus and Eurydice

1585 · Engraving, second state

5 1/2 x 4 in. (14 x 10.2 cm) trimmed to the platemark

The Metropolitan Museum of Art

Rest on the Flight into Egypt

1585 · Pen and brown ink, over traces of red chalk, on pieced cream laid paper (oval), laid down on cream card

30.6 × 40.8 cm (12 1/16 × 16 1/8 in.)

Art Institute of Chicago

Seated Nude Male Figure (recto); Ornamental Designs of Foliage, a Grotesque Head, and a Leg (verso)

1585 · Pen and brown ink, over black chalk underdrawing

Sheet: 10 13/16 × 5 7/16 in. (27.4 × 13.8 cm)

The Metropolitan Museum of Art

A Headpiece in the Form of a Fan

1584 · Engraving on ivory laid paper

Image/sheet, cut within platemark: 37 × 24.8 cm (14 5/8 × 9 13/16 in.)

Art Institute of Chicago

Four Sketches: Standing Male Figure; Profile Bust of Bearded Man; Profile Head of Bearded Man; Landscape

1577 · Pen and brown ink, with traces of brush and brown wash, over black chalk, on ivory laid paper, pieced together and laid down on ivory laid paper

20.2 × 14.7 cm (8 × 5 13/16 in.)

Art Institute of Chicago

Studies of Nudes and Human Heads (recto and on the verso)

1557 · Pen and brown ink over traces of graphite

Sheet: 8 7/16 x 8 1/8 in. (21.5 x 20.7 cm)

The Metropolitan Museum of Art

Study of Heads (recto)

1550 · pen and brown ink; framing lines in brown ink

Sheet: 13.1 x 30.9 cm (5 3/16 x 12 3/16 in.)

Cleveland Museum of Art

Crenelated Fortress (verso)

1550 · pen and brown ink

Sheet: 13.1 x 30.9 cm (5 3/16 x 12 3/16 in.)

Cleveland Museum of Art

Study of Heads (recto); Crenelated Fortress (verso)

1550 · pen and brown ink; framing lines in brown ink

Sheet: 13.1 x 30.9 cm (5 3/16 x 12 3/16 in.)

Cleveland Museum of Art

View all 20 artworks →

Artwork sources (4)

20 published of 21 catalogued · 21 with image

Art Institute Chicago
7 published7 img
The Met
7 published7 img
Cleveland Museum of Art
6 published6 img
+ 1 more source · 1 catalogued, not yet published

Per-Artwork Provenance Chains (top 6)

6 entries · 1 sources

Study of Heads (recto); Crenelated Fortress (verso)
1550 · Cleveland · 1 prov
Url Pattern Extraction 2026-05-27·accession_number
Crenelated Fortress (verso)
1550 · Cleveland · 1 prov
Url Pattern Extraction 2026-05-27·accession_number
The Fan (L'Eventail)
1594 · Cleveland · 1 prov
Url Pattern Extraction 2026-05-27·accession_number
St. Francis Receiving the Stigmata
1586 · Cleveland · 1 prov
Url Pattern Extraction 2026-05-27·accession_number
Study of Heads (recto)
1550 · Cleveland · 1 prov
Url Pattern Extraction 2026-05-27·accession_number
Aeneas and His Family Fleeing Troy
1595 · Cleveland · 1 prov
Url Pattern Extraction 2026-05-27·accession_number

Record

Images

10 assets

Study of Heads (recto); Crenelated Fortress (verso) (2nd half 1500s)

Cleveland Museum of Art

Aeneas and His Family Fleeing Troy (1595)

Cleveland Museum of Art

Cleveland Museum of Art

Adoration of the Shepherds (c. 1580-1600)

Art Institute of Chicago

Four Sketches: Griffin, Grotesque Head, Head of Satyr, Bent Leg (1590/94)

Art Institute of Chicago

Art Institute of Chicago

A Headpiece in the Form of a Fan (1589/95)

Art Institute of Chicago

View all 10 media items →

Relationships

Collections1

Cooper Hewitt, Smithsonian Design Museum

Institutional

Representation & Collections

In collection

Cooper Hewitt, Smithsonian Design Museum

Record

Exhibitions and timeline

No exhibitions or timeline entries yet