WATTS INDEXThe canonical database of visual culture

Artists›Domenico Mondo

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Domenico Mondo

Artist

WA-00119303

PaintingBaroque

Representation

None documented

Institutional Exhibitions

Works in Collection

Assets Indexed

Authority-backed Facts

Publications Referenced

60%

Profile Completeness

Cultural Positioning

Influence Graph

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Authority Records (1)

Smithsonian

Source Registry (1)

Smithsonianhttps://www.si.edu/object/chndm_1938-88-6464
Tier 1 · Institutional90%

About

Why this artist matters now

Domenico Mondo was an Italian painter, active in both a late Baroque and Neoclassical styles. In the royal palace of Caserta, he painted decorations for the Salone degli Alabardieri, a job for which he was chosen by Luigi Vanvitelli.

Source: Smithsonian Institution · Trust score: 90% · Updated 1mo ago

Graph relationships

Taste overlap and adjacency

Movement

Baroque

Medium

Painting

Related Artists

12 in graph

Canonical record

Artworks (10)

Pietà (recto); Sketches of Kneeling Figures, Putto (verso)

1760 · Pen and brown ink, brush and brown wash over black chalk on light brown laid paper (recto); ruled framing outlines in pen and brown ink. Pen and brown ink, black chalk (verso)

5 x 6 5/8in. (12.7 x 16.9cm)

The Metropolitan Museum of Art

Three Figures (recto); Sketches of Kneeling Figures and Putti (verso)

1760 · Pen and brown ink, brush and brown wash, over black chalk on light brown paper (recto). Ruled framing outlines in pen and brown ink on left, top, and right edges. Black chalk, pen and brown ink (verso)

6 5/8 x 4 3/4in. (16.8 x 12.1cm)

The Metropolitan Museum of Art

Forge of Vulcan

1747 · Brush and black ink, with gray and white gouache, over pink-gray ground on buff laid paper

15.7 × 20.7 cm (6 3/16 × 8 3/16 in.)

Art Institute of Chicago

David and Abigail

1747 · Pen and brush and black ink, with brush and gray and white gouache and brown wash, over traces of black chalk, on cream laid paper

14.9 × 16.3 cm (5 7/8 × 6 7/16 in.)

Art Institute of Chicago

Penitent Magdalene

1747 · Pen and brown ink, with brush and brown wash, and white gouache, over black chalk, on ivory laid paper, tipped onto ivory wove paper

16.9 × 14.4 cm (6 11/16 × 5 11/16 in.)

Art Institute of Chicago

Heilige Brigitta, staande met het schip in de rechterhand

1733 · pen on pencil, chalk, ink, paper

width: 210 cm, height: 260 cm

Rijksmuseum

The Virgin Immaculate in Glory (recto); Sketch of a Part of a Leg and a Hand (verso)

1723 · Point of brush and dark brown ink, brush and brown wash, highlighted with white gouache, over black chalk, on beige paper (recto); black chalk (verso)

11 1/8 x 6 13/16in. (28.2 x 17.3cm)

The Metropolitan Museum of Art

Christ Giving Communion (The Institution of the Eucharist)

1707 · Pen and brown wash with brush and gray wash, over black chalk, on ivory laid paper, laid down on ivory laid paper

26.5 × 13.4 cm (10 7/16 × 5 5/16 in.)

Art Institute of Chicago

Apotheosis of a Hero

1690 · Pen and brown and black ink, with brush and gray and brown wash, over traces of black chalk, on cream laid paper (upper left corner missing), laid down on ivory laid paper

20.2 × 31.5 cm (8 × 12 7/16 in.)

Art Institute of Chicago

Saint called to Papal Chair

1677 · Pen and black ink, with brush and gray wash, with black chalk, on cream laid paper, partially laid down on tan wove paper

17.8 × 20.6 cm (7 1/16 × 8 1/8 in.)

Art Institute of Chicago

View all 10 artworks →

Artwork sources (3)

10 published of 10 catalogued · 10 with image

Art Institute Chicago
6 published6 img
The Met
3 published3 img
Rijksmuseum
1 published1 img

Per-Artwork Provenance Chains (top 1)

1 entries · 1 sources

Heilige Brigitta, staande met het schip in de rechterhand
1733 · Rijksmuseum · 1 prov
Url Pattern Extraction 2026-05-27·accession_number

Relationships

Movements1

Baroque

Record

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