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Artists›Lambert Lombard

Lambert Lombard

1505

WA-00048986

Painting

Representation

None documented

Institutional Exhibitions

Works in Collection

Assets Indexed

Authority-backed Facts

Publications Referenced

70%

Profile Completeness

Cultural Positioning

Influence Graph

No influence edges encoded yet.

Authority Records (1)

WikidataQ983189

Field Verification (7 fields)

2 cross-verified · 5 single-source

Is PublishedManual· 100%✓
Birth yearArtsy· 92%✓
NationalityWikidata + Artsy· 92%
LocationArtsy + Wikidata· 85%
Death yearWikidata· 92%
Primary mediumWikidata· 92%
BiographyWikipedia· 88%

Source Registry (1)

Aichttps://www.artic.edu/artists/15514
Tier 3 · Scraped/inferred95%

About

Why this artist matters now

Lambert Lombard was a Flemish draughtsman and painter based in Liège whose drawings and studies established him as a key figure in the transmission of Italian Renaissance principles to Northern Europe during the sixteenth century. Working primarily in pen and chalk, he produced anatomical studies, compositional sketches, and finished drawings that synthesized classical learning with Flemish observation. His work served as models for younger artists and contributed significantly to the northern adoption of Renaissance ideals of proportion and perspective.

Source: Aic · Trust score: 95% · Updated 8d ago

Graph relationships

Taste overlap and adjacency

Movement

—

Medium

Painting

Related Artists

6 in graph

Institutional

Museum Collections

Art Institute of Chicago

Canonical record

Artworks (11)

Vijf figuren in toga's nemen afscheid

1537 · pen on paper, ink

height: 47 cm, width: 94 cm

Rijksmuseum

Christ Among the Doctors

1526 · Pen and brown ink and brush and blue wash, heightened with lead white (partly discolored), on blue laid paper (faded), laid down on ivory laid paper

32.6 × 28.2 cm (12 7/8 × 11 1/8 in.)

Art Institute of Chicago

Christ Healing at the Pool of Bethesda

1520 · Pen and brown ink

10-9/16 x 15-1/4 in. (26.8 x 38.7 cm); mat size: 16 x 22 in.

The Metropolitan Museum of Art

Twee studies voor Hercules en Antaeus

1516 · pen on paper, ink

width: 43 cm, height: 70 cm

Rijksmuseum

Studie van een liggende hond

1516 · pen on ink, paper

width: 92 cm, height: 71 cm

Rijksmuseum

David onthoofdt Goliath

1516 · pen on ink, paper

height: 71 cm, width: 92 cm

Rijksmuseum

Venus, Cupido en Adonis

1516 · pen on paper

width: 55 cm, height: 45 cm

Rijksmuseum

Apollo, de Muzen en Mercurius

1516 · pen on paper, ink

width: 225 cm, height: 114 cm

Rijksmuseum

Kandelaber met een masker en boeketten

1515 · pen on paper, ink

height: 70 cm, width: 43 cm

Rijksmuseum

Capital with Anointing of David

1175 · Marble

23.5 × 44.5 × 17.8 cm (9 1/4 × 17 1/2 × 7 in.)

Art Institute of Chicago

Capital with Man Fighting a Lion (recto); Man Riding a Griffin (verso)

1175 · Marble

23.5 × 44.5 × 17.8 cm (9 1/4 × 17 1/2 × 7 in.)

Art Institute of Chicago

View all 11 artworks →

Artwork sources (3)

11 published of 13 catalogued · 13 with image

Rijksmuseum
7 published7 img
Art Institute Chicago
3 publishedof 5 catalogued5 img
The Met
1 published1 img

Per-Artwork Provenance Chains (top 5)

5 entries · 1 sources

Kandelaber met een masker en boeketten
1515 · Rijksmuseum · 1 prov
Url Pattern Extraction 2026-05-27·accession_number
Venus, Cupido en Adonis
1516 · Rijksmuseum · 1 prov
Url Pattern Extraction 2026-05-27·accession_number
Apollo, de Muzen en Mercurius
1516 · Rijksmuseum · 1 prov
Url Pattern Extraction 2026-05-27·accession_number
Twee studies voor Hercules en Antaeus
1516 · Rijksmuseum · 1 prov
Url Pattern Extraction 2026-05-27·accession_number
Vijf figuren in toga's nemen afscheid
1537 · Rijksmuseum · 1 prov
Url Pattern Extraction 2026-05-27·accession_number

Record

Images

22 assets