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Artists›James Wallace Black

James Wallace Black

James Wallace Black

?–1896

Photography

Representation

None documented

5

Institutional Exhibitions

20

Works in Collection

44

Assets Indexed

6

Authority-backed Facts

0

Publications Referenced

80%

Profile Completeness

Cultural Positioning

Movements

No movements recorded

Related Artists

No edges recorded

Influence Graph

No influence edges encoded yet.

Selected Institutional Exhibitions

View all exhibitions →

No image

From the Gilman Collection: Photographs Preserved in Ink

Museum of Modern Art, New York

1984–1985

No image

American Landscapes

Museum of Modern Art, New York

1981

No image

Reinstallation of the Collection

Museum of Modern Art, New York

1980

No image

Edward Steichen Photography Center Reinstallation

Museum of Modern Art, New York

1979

No image

Three Centuries of American Art

Museum of Modern Art, New York

1938

About

Why this artist matters now

James Wallace Black, known professionally as J.W. Black, was an early American photographer whose career was marked by experimentation and innovation.

Source: Moma Bulk 2026 05 04 · Trust score: 92% · Updated 25d ago

Graph relationships

Taste overlap and adjacency

Movement

—

Medium

Photography

Related Artists

6 in graph

Institutional

Museum Collections

The Metropolitan Museum of Art Smithsonian American Art Museum Museum of Modern ArtNew York Art Institute of Chicago National Gallery of Art

Canonical record

Artworks (20)

After the Boston Fire, Washington Street

After the Boston Fire, Washington Street

1872 · albumen silver print

sheet and image: 7 x 8 1/2 in. (17.8 x 21.5 cm.)

Smithsonian American Art Museum

"Jubilee Singers, Fisk University, Nashville, Tennessee"

"Jubilee Singers, Fisk University, Nashville, Tennessee"

1870 · stereoscopic albumen prints

image/sheet (each): 8 × 7.9 cm (3 1/8 × 3 1/8 in.) mount: 8.3 × 17.5 cm (3 1/4 × 6 7/8 in.)

National Gallery of Art

Eliza "Didy" Ridgely and Possibly Charlotte Gittings

Eliza "Didy" Ridgely and Possibly Charlotte Gittings

1864 · albumen print (carte-de-visite)

image/sheet: 9.3 × 5.9 cm (3 11/16 × 2 5/16 in.) mount: 10.1 × 6.1 cm (4 × 2 3/8 in.)

National Gallery of Art

[Edward Everett Hale and Son]

1863 · Albumen silver prints from glass negatives

Image (2005.100.1031): 8.9 × 5.9 cm (3 1/2 × 2 5/16 in.)

The Metropolitan Museum of Art

[Edward Everett Hale and Son]

[Edward Everett Hale and Son]

1863 · Albumen silver prints from glass negatives

Image (2005.100.1031): 8.9 × 5.9 cm (3 1/2 × 2 5/16 in.) Mount (2005.100.1031): 10.7 × 6.3 cm (4 3/16 × 2 1/2 in.)

The Metropolitan Museum of Art

Boston, as the Eagle and the Wild Goose See It

1860 · Albumen silver print from glass negative

Image: 18.5 x 16.7 cm (7 5/16 x 6 9/16 in.), irregularly trimmed

The Metropolitan Museum of Art

[Boston from a Hot-Air Balloon]

1860 · Albumen silver print from glass negative

25.6 x 20.2 cm. (10 1/16 x 7 15/16 in.)

The Metropolitan Museum of Art

[Boston from a Hot-Air Balloon]

[Boston from a Hot-Air Balloon]

1860 · Albumen silver print from glass negative

25.6 x 20.2 cm. (10 1/16 x 7 15/16 in.)

The Metropolitan Museum of Art

View all 20 artworks →

Record

Images

Fort Dumplings (1859/74)

Art Institute of Chicago

Old Fort (1959/74)

Art Institute of Chicago

Four Generations (Met Museum)

Met Museum

Related artists

Adjacent in the graph

Alfred Stieglitz

Alfred Stieglitz

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Raymond Pettibon

Raymond Pettibon

Also photography

Also photography

Also photography

Joan Fontcuberta

Joan Fontcuberta

Also photography

Also photography

Record

Movements and affiliations

No movements linked yet

Institutional

Representation & Collections

In collection

The Metropolitan Museum of Art

In collection

Smithsonian American Art Museum

In collection

Museum of Modern Art

New York, US

In collection

Art Institute of Chicago

In collection

National Gallery of Art