WATTS INDEXThe canonical database of visual culture

Artists›Adam Frans van der Meulen

Adam Frans van der Meulen

1632–1690

WA-00016008

Brussels, Belgium

PaintingBaroque

Representation

None documented

Institutional Exhibitions

Works in Collection

Assets Indexed

Authority-backed Facts

Publications Referenced

80%

Profile Completeness

Cultural Positioning

Influence Graph

No influence edges encoded yet.

Authority Records (1)

WikidataQ349377

Field Verification (3 fields)

1 cross-verified · 2 single-source

Birth yearArtsy· 85%✓
BiographyWikipedia· 88%
NationalityArtsy· 85%

Source Registry (2)

Artsy (bulk)https://www.artsy.net/artist/adam-frans-van-der-meulen
Tier 1 · Institutional85%
Wikidata
Tier 1 · Institutional40%

About

Why this artist matters now

No biography available for Adam Frans van der Meulen yet.

Graph relationships

Taste overlap and adjacency

Movement

Baroque

Medium

Painting

Related Artists

12 in graph

Institutional

Museum Collections

Rijksmuseum The Metropolitan Museum of Art Art Institute of Chicago National Gallery of Art

Canonical record

Artworks (24)

WattsOS

Louis XIV at the Siege of Cambrai, Seen from the South-West (March 20–April 19, 1677)

1677 · Red chalk, over black chalk; squared in black chalk; framing lines in pen and black ink

18 1/2 × 37 9/16 in. (47 × 95.4 cm)

The Metropolitan Museum of Art

Louis XIV at the Siege of Cambrai, Seen from the South-West (March 20–April 19, 1677)

1677 · Red chalk, over black chalk; squared in black chalk; framing lines in pen and black ink

18 1/2 × 37 9/16 in. (47 × 95.4 cm)

The Metropolitan Museum of Art

Louis XIV Crossing into the Netherlands at Lobith

1672 · canvas, oil paint (paint)

height: 103 cm, width: 159 cm

Rijksmuseum

The Troops of Louis XIV before Naarden, 20 July 1672

1672 · oil paint (paint), canvas

width: 93.5 cm, depth: 4.8 cm, height: 52 cm

Rijksmuseum

French Troops before Salins and the Surrounding Hills

1668 · red chalk over black chalk surrounding red chalk counterproof, on two joined sheets of laid paper, incised overall for transfer and laid down

sheet: 48.8 x 132.8 cm (19 3/16 x 52 5/16 in.)

National Gallery of Art

View of Douai

1667 · Graphite, with watercolor, on ivory laid paper

30.3 × 41.4 cm (11 15/16 × 16 5/16 in.)

Art Institute of Chicago

WattsOS

A Cavalry Engagement

1652 · Oil on wood

8 5/8 x 12 1/2 in. (21.9 x 31.8 cm)

The Metropolitan Museum of Art

Falling Horse

1652 · Red chalk over traces of graphite, on buff laid paper, tipped onto gray wove paper

18.3 × 25.5 cm (7 1/4 × 10 1/16 in.)

Art Institute of Chicago

A Cavalry Engagement

1652 · Oil on wood

8 5/8 x 12 1/2 in. (21.9 x 31.8 cm)

The Metropolitan Museum of Art

WattsOS

Louis XIV at the Siege of Tournai, Seen from the North-East (June 21-25, 1667)

1645 · Black chalk, brush and gray wash. Framing lines in pen and black ink.

sheet: 12 x 16 7/16 in. (30.5 x 41.8 cm)

The Metropolitan Museum of Art

WattsOS

Study of Two Soldiers Swordfighting

1645 · Black and white chalk, heightened with cream-colored gouache, on blue paper

sheet: 6 9/16 x 9 7/16 in. (16.7 x 23.9 cm)

The Metropolitan Museum of Art

WattsOS

Study of a Fallen Soldier

1645 · Black and white chalk on blue paper

sheet: 3 9/16 x 5 13/16 in. (9.1 x 14.7 cm)

The Metropolitan Museum of Art

WattsOS

Study of Two Soldiers and a Hand

1645 · Black and white chalk, heightened with cream-colored gouache, on blue paper

sheet: 5 3/8 x 10 3/16 in. (13.6 x 25.8 cm)

The Metropolitan Museum of Art

WattsOS

Louis XIV at the Siege of Douai, Seen from the South-East (July 1–6, 1667)

1645 · Black chalk, brush and gray wash. Framing lines in pen and black ink.

sheet: 11 7/8 x 16 1/8 in. (30.2 x 41 cm)

The Metropolitan Museum of Art

Study of Two Soldiers Swordfighting

1645 · Black and white chalk, heightened with cream-colored gouache, on blue paper

sheet: 6 9/16 x 9 7/16 in. (16.7 x 23.9 cm)

The Metropolitan Museum of Art

Louis XIV at the Siege of Tournai, Seen from the North-East (June 21–25, 1667)

1645 · Black chalk, brush and gray wash; framing lines in pen and black ink

sheet: 12 x 16 7/16 in. (30.5 x 41.8 cm)

The Metropolitan Museum of Art

Louis XIV at the Siege of Douai, Seen from the South-East (July 1–6, 1667)

1645 · Black chalk, brush and gray wash; framing lines in pen and black ink

sheet: 11 7/8 x 16 1/8 in. (30.2 x 41 cm)

The Metropolitan Museum of Art

Study of a Fallen Soldier

1645 · Black and white chalk on blue paper

sheet: 3 9/16 x 5 13/16 in. (9.1 x 14.7 cm)

The Metropolitan Museum of Art

Study of Two Soldiers and a Hand

1645 · Black and white chalk, heightened with cream-colored gouache, on blue paper

sheet: 5 3/8 x 10 3/16 in. (13.6 x 25.8 cm)

The Metropolitan Museum of Art

Fragment van een schets van twee ruiters

1642 · chalk, paper

width: 196 cm, height: 149 cm

Rijksmuseum

Een ruiter met een grote hoed

1642 · brush on chalk, paper

width: 196 cm, height: 149 cm

Rijksmuseum

Elegant gezelschap in de tuin van een landhuis

1642 · pen on ink, paper, pencil

width: 300 cm, height: 174 cm

Rijksmuseum

Landschap met een ommuurde tuin

1642 · brush on paper, chalk

width: 254 cm, height: 154 cm

Rijksmuseum

Profiel van de stad Ieper

1642 · paper, chalk

height: 210 cm, width: 565 cm

Rijksmuseum

View all 24 artworks →

Artwork sources (4)

24 published of 24 catalogued · 17 with image

The Met
14 published7 img
Rijksmuseum
7 published7 img
Art Institute Chicago
2 published2 img
Nga
1 published1 img

Per-Artwork Provenance Chains (top 5)

5 entries · 1 sources

Louis XIV Crossing into the Netherlands at Lobith
1672 · Rijksmuseum · 1 prov
Url Pattern Extraction 2026-05-27·accession_number
Elegant gezelschap in de tuin van een landhuis
1642 · Rijksmuseum · 1 prov
Url Pattern Extraction 2026-05-27·accession_number
Landschap met een ommuurde tuin
1642 · Rijksmuseum · 1 prov
Url Pattern Extraction 2026-05-27·accession_number
The Troops of Louis XIV before Naarden, 20 July 1672
1672 · Rijksmuseum · 1 prov
Url Pattern Extraction 2026-05-27·accession_number
Profiel van de stad Ieper
1642 · Rijksmuseum · 1 prov
Url Pattern Extraction 2026-05-27·accession_number

Record

Images

Artsy

Art Institute of Chicago

Relationships

Movements1

Baroque

Collections4

Rijksmuseum The Metropolitan Museum of Art Art Institute of Chicago National Gallery of Art

Institutional

Representation & Collections

In collection

Rijksmuseum

In collection

The Metropolitan Museum of Art

In collection

Art Institute of Chicago

In collection

National Gallery of Art

Record

Exhibitions and timeline

No exhibitions or timeline entries yet